Klassik für Chor

McGrath's setting of this well-known fourteenth-century macaronic text is expressive and rich. The melodies have a chant-like quality and the metrical changes create a compelling ebb and flow. This ca...

A group of three miniatures for unaccompanied mixed voices, Some corner of a foreign field sets poems by three First World War soldiers: John William Streets, Goldfeld, and Rupert Brooke. Bednall's se...

This gentle, lilting anthem sets verses from the psalms that speak of devotion to and delight in the Lord. Bednall's sophisticated and appealing musical language gives colour and expression to the tex...

The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting, this piece will pro...

Images of Peace is a work that encourages peace and understanding while not focussing on any particular creed or belief. Alan Bullard chooses texts from a range of sources, including the English metap...

This secular work by John Rutter is set to the text of Shakespeare's famous Sonnet No. 18. Throughout the work, Rutter skilfully weaves the figurative language of the sonnet within the lyrical melodic...

This setting of a tune from The Sacred Harp is strong and march-like, with accented rhythms and percussive vocal lines contributing to a rousing overall effect. It was originally published as part of...

An atmospheric setting of Caliban's dream from The Tempest, this piece transports the listener to a dream-like place. McDowall's immersive harmonies and ornamentation perfectly characterise the reveri...

This short sacred work for unaccompanied mixed choir is a highly atmospheric setting of the poet Henry Vaughan's mystical and enigmatic poem of the same name. Written for the choir of St Peter's Colle...

Skilfully set to tender words by the poet e e cummings, 'I carry your heart' is a secular work originally for men's voices, rescored by the composer in this version for mixed voices. The piece was com...

I will be with you sets a reflective text by the composer with a message of enduring solace. Lush harmonies, with predominantly homophonic passagework, coupled with flowing and cascading lines in ever...

This is a tender setting of a text by American poet Edith Franklin Wyatt that speaks of companionship and the joys of sharing it as we travel along the road of life. Hagenberg employs her rich harmoni...

'Peace in the world' is the expressive middle movement from Images of Peace , which is a cycle of five songs that encourage peace and understanding. Although composed for secular use, this beautifully...

In this ethereal, atmospheric setting of Canadian poet Marjorie Pickthall's 'Stars', Oliver Tarney displays great sensitivity to the poem's vivid imagery and employs an evocative harmonic language tha...

When spring comes walking is a warm and optimistic setting of an evocative poem by Charles Bennett that explores themes of rebirth, nature, and celebration. Chilcott embraces the return of spring with...

This is an appealing setting of the popular Elizabeth Barrett Browning poem 'How do I love thee?'. Bearing all the hallmarks of Jackson's unique style, this piece is a welcome addition to the musical...

The star has come is an illustrative and imaginative setting of a poem by Robert Seatter. In response to the evocative text, Williams uses portamenti techniques to create musical imagery, and explores...

This lavish arrangement of the second movement of Rachmaninoff's Second Piano Concerto for wordless a cappella voices was written for Harry Christophers and The Sixteen. Chilcott artfully reimagines a...

Tarney's setting of this traditional Scottish text offers catchy melodies and folk-inspired harmonies, driven by a rhythmic piano accompaniment. The ballad is framed by a repeating, haunting, and ethe...

The Scholar is a sensitive setting of Robert Southey's poem that explores a man's kinship with the dead. With Bednall's characteristic metrical fluidity and effective word setting, this piece will pro...

This setting of a tune from The Sacred Harp is strong and march-like, with accented rhythms and percussive vocal lines contributing to a rousing overall effect. It was originally published as part of...

This short sacred work for unaccompanied mixed choir is a highly atmospheric setting of the poet Henry Vaughan's mystical and enigmatic poem of the same name. Written for the choir of St Peter's Colle...

Skilfully set to tender words by the poet e e cummings, 'I carry your heart' is a secular work originally for men's voices, rescored by the composer in this version for mixed voices. The piece was com...

This is a tender setting of a text by American poet Edith Franklin Wyatt that speaks of companionship and the joys of sharing it as we travel along the road of life. Hagenberg employs her rich harmoni...

This is an appealing setting of the popular Elizabeth Barrett Browning poem 'How do I love thee?'. Bearing all the hallmarks of Jackson's unique style, this piece is a welcome addition to the musical...