Ensembles

FOR SUCH A TIME AS THIS, für Erzählerin/Sängerin und Streichquartett, ist eine monodramatische Nacherzählung der Ereignisse aus dem Buch Esther aus der Sicht Esthers. Die Erzählung dreht sich um die i...

For Banned Instruments and Piano Opus 36EE

A four movement work requiring a high level of performance ability.

Rhythmic drive and lyric urgency point the music ever forward in Eric Ewazen's GOLDEN GATE QUINTET (formerly Quintet for English Horn and Strings), without any angst for what might come next. The solo...

Rhythmic drive and lyric urgency point the music ever forward in Eric Ewazen's GOLDEN GATE QUINTET (formerly Quintet for English Horn and Strings), without any angst for what might come next. The solo...

Eric Ewazen has explored many combinations of instrumental colors in his piano trios (Horn, Violin, and Piano; Clarinet, Viola, and Piano; Trumpet, Cello, and Piano; and more) to celebrated results. N...

Schubert's time in Hungary brought forth several important works for piano, four hands. Of these, Webster focuses on the Divertissement à l'hongroise, D. 818, a rather lengthy affair that can exceed h...

When commissioned by the celebrated Sparx Duo, Dorff's thoughts immediately went to the French medieval style that had so captured his attention in his college days. The resulting five-movement duo re...

Throughout its three movements, this 14-minute trio is a multi-colored gem of visceral lyricism, full of dark beauty and mystical impressionism, which gradually grows into fire. The melodic influence...

Commissioned by the Philadelphia Chamber Music Society for its Thirtieth Anniversary for the Clarosa Quartet. 'The first movement begins with detached fragments and soon turns into something cohesive...

In 1962, the 33-year-old Robert Muczynski had already composed his flute sonata and other mature works, and recently had joined the faculty of University of Arizona, where he remained for the rest of...

When Stacy Garrop first heard the Appalachian folk song Silver Dagger at a folk festival, the simplicity of the melody and its cautionary love tale enthralled her, leading to several years researching...

According to Professor Peter Schickele, P. D. Q. Bach's 'SAFE' SEXTET has been so named because its manuscript was the only object left behind when burglars made off with the valuables from a hotel sa...

A stirring, welcome addition to the tuba's limited chamber music repertoire. Tubists will revel in the opportunity to showcase their instrument's lyricism and nimbleness, delivered with Eric Ewazen's...

Der pastorale Charme der Flöten-/Viola-/Harfen-Texturen in Verbindung mit der Bitte eines Kommissars um ein Hochzeitsgeschenk konnte nur zu einer Art Hochsommer-Tagtraum führen. Dorffs 7-minütige Krea...

With endlessly imaginative timbral and textural invention, Chen Yi weaves an ethereal and alluring nocturnal tapestry of sounds in Night Thoughts. The melodic construction is often gestural and freely...

Inspired by her son's enthusiastic backyard botany, Amanda Harberg's LUCAS's GARDEN weaves a varied tapestry of moods and textures across its three movements. Backyard Paradise is tuneful and searchin...

Chen Yi's THREE BAGATELLES FROM CHINA WEST are a trio of Chinese folk songs. Originally written for flute and piano, many soloists and ensembles have requested transcriptions of these pieces for their...

A commission from the Santa Fe Chamber Music Festival, for any combination of instruments of her choosing, quickly sparked Shulamit Ran to create a trio for Flute, Viola, and Harp. She writes of this...