Ensembles

This arrangement of the prelude and fanfare for brass choir from 'The Fairy-Queen' (1692; Purcell catalogue number Z.629) is a masque or semi-opera by Henry Purcell; a 'Restoration spectacular'. The l...

This three-movement piece for brass choir adopts the fast-slow-fast form, with the third movement a recapituation of the 1st.

A three movement work written for brass sextet. Gives a developing ensemble practice asymetrical meters. Scored for two trumpets, horn, trombone, baritone and tuba.

A three movement work written for brass sextet. Gives a developing ensemble practice asymetrical meters. Scored for two trumpets, horn, trombone, baritone and tuba.

This suite for brass and percussion is in four movements: I. Homage to Gabrieli II. Sound Game III. Veneration IV. Jubilation. Dedicated to Leon F. Brown and commissioned by his students and friends.

This suite for brass and percussion is in four movements: I. Homage to Gabrieli II. Sound Game III. Veneration IV. Jubilation. Dedicated to Leon F. Brown and commissioned by his students and friends.

This suite for brass and percussion is in four movements: I. Homage to Gabrieli II. Sound Game III. Veneration IV. Jubilation. Dedicated to Leon F. Brown and commissioned by his students and friends.

Fisher Tull's 'Brevard Fanfare' for brass choir and percussion was commissioned by the Brevard Music Center in North Carolina as a part of its 50th anniversary celebration. The premiere performance wa...

Fisher Tull's 'Brevard Fanfare' for brass choir and percussion was commissioned by the Brevard Music Center in North Carolina as a part of its 50th anniversary celebration. The premiere performance wa...

This arrangement by Douglas Yeo was written for and dedicated to the MIT Brass Ensemble. Scored for three trumpets in Bb, two horns in F, two trombones plus bass trombone, and tuba.

This work is comprised of three movements (Intrada, Intermezzo, Canzona) which may be programmed individually or as a suite. They have been performed as prelude, offertory, and postlude in worship at...

This work is comprised of three movements (Intrada, Intermezzo, Canzona) which may be programmed individually or as a suite. They have been performed as prelude, offertory, and postlude in worship at...

This work is comprised of three movements (Intrada, Intermezzo, Canzona) which may be programmed individually or as a suite. They have been performed as prelude, offertory, and postlude in worship at...

This work is comprised of three movements (Intrada, Intermezzo, Canzona) which may be programmed individually or as a suite. They have been performed as prelude, offertory, and postlude in worship at...

percussion: I. crotales and glockenspiel - II. vibraphone, suspended cymbal, large tam-tam- III. large triangle, bass drum. Commissioned by the Wausau Symphony in honor of their 100th Anniversary, 'No...

This work is comprised of three movements (Intrada, Intermezzo, Canzona) which may be programmed individually or as a suite. They have been performed as prelude, offertory, and postlude in worship at...

This work is comprised of three movements (Intrada, Intermezzo, Canzona) which may be programmed individually or as a suite. They have been performed as prelude, offertory, and postlude in worship at...

Score for this piece, which was comissioned by London Brass and first performed in 1992. Quoting composer: The piece was completed without title on 12th August 1992. A title once considered was Canons...

für Bläserchöre. I: Komm, Heiliger Geist (Fanfarenchor, 2 Bläserchöre), II: In dir ist Freude (zwei 6stg. Bläserchöre, Pauken). - Der bewährt markante Klang der Werke von Friedrich Zipp findet hier ei...