Ensembles

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Wer sagt, dass Beethoven keinen Spaß machen kann? Hier ist eine clevere Interpretation des berühmtesten Vier-Ton-Motivs der klassischen Musik, die in einer aktuellen Techno-Dance-Bearbeitung auf den P...

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Long known for his effective writing for school groups, James Curnow's newest opus features strong diatonic lines, rhythmic backgrounds, and interesting parts for all players in a one-tempo setting.

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Stephen brings us a superb, accessible piece for young players with only quarter/eighth note technical demands, solid intervals in the themes, and level-appropriate dynamics throughout. A great teachi...

Taken from the third movement of Mahler's most performed symphony, Solemn Processional is based on his song Heavenly Life. This glorious hymn-like processional highlights sustained ensemble playing an...