Ensembles

Das neue Party-Spass-Medley 2013 Ideal zum Marschieren oder für die Stimmungsrunde im Zelt. Mit drei top-aktuellen Titeln: 1. Die Hände hoch (Geri, der Klostertaler) 2. Helikopter (Markus Becker) 3. S...

Medley mit den beliebtesten Titeln der aktuellen Helene Fischer-CD FARBENSPIEL. Bigband-Ausgabe (mit Gesang) Tonarten: C-Moll auf C-Dur / B-Dur / F-Moll auf As-Dur

Besetzung: Alto / 2 Tenorsax / Bariton 3 Trompeten / 3 Posaunen / Rhythmus

Medley im Stil von Capt.Cook und seinen Singenden Saxophone -Big Band- umfasst Direktion in C Alt Saxofon 1 in Es Alt Saxofon 2 in Es Tenor-Saxofon 1 in B Tenor-Saxofon 2 in B Bariton-Saxofon in Es Tr...

Big Band umfasst Direktion in C Alt Saxofon 1 in Es Alt Saxofon 3 in Es Tenor-Saxofon 2 in B Tenor-Saxofon 4 in B Bariton Saxofon 5 in Es Tompete 1 in B Tompete 2 in B Tompete 3 in B Posaune 1 in C Po...

This well-known theme gets a make-over inspired by the version recorded by Bobby McFerrin. The groove is medium swing with an occasion hint Here is a creative new take on this Duke Ellington favorite...

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

As performed by Gordon Goodwin's Big Phat Band - As recorded by Gordon Goodwin's Big Phat Band on the CD That's How We Roll, but minus the woodwind doubles, saxes only. Arranged for flexibility, it's...

As performed by Gordon Goodwin's Big Phat Band - As recorded by Gordon Goodwin's Big Phat Band on the CD That's How We Roll, but minus the woodwind doubles, saxes only. Arranged for flexibility, it's...

This chart is a creative musical voyage! With a Metheny-flavor, the work begins with bari sax and band vocals trading back and forth. Then the swing groove begins at 184 BPM with a soaring ensemble fe...

This chart is a creative musical voyage! With a Metheny-flavor, the work begins with bari sax and band vocals trading back and forth. Then the swing groove begins at 184 BPM with a soaring ensemble fe...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

An easy-going chart, with a relaxed straight-eighth groove at about 116 BPM, 'Smiles and Smiles to Go' features an alto solo with a suggested written solo, trumpet 1 range up to G on top of the staff,...

Featuring a contemporary sounding groove utilizing even 8th notes, this familiar standard is given a unique treatment in the skilled hands of Mike Tomaro. A trio of tenor sax, trombone and guitar take...

This well-known theme gets a make-over inspired by the version recorded by Bobby McFerrin. The groove is medium swing with an occasion hint Here is a creative new take on this Duke Ellington favorite...

Wayne Shorters hypnotischer Moll-Blues wurde vor allem durch die Aufnahme von Miles Davis bekannt und gelangte ins Repertoire vieler Jazzmusiker. Mike Tomaros Arrangement im mittelschnellen Tempo und...

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...

This arrangement calls for a very lazy feel. Keep saxes quiet behind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce s...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...