Ensembles

This chart was recorded by the Count Basie Orchestra on the CD 'I Told You So.' This is yet another terrific Holman chart written for that band! A medium-tempo shuffle that just swings and swings! The...

This chart was originally included in the Full Nelson album and then the Jazz Masters 48: Oliver Nelson CD. It is a simple, swinging blues chart, full of all of the ingenious writing we have come to e...

As recorded on the wonderful LP Black, Brown and Beautiful, featuring Johnny Hodges, this nifty blues chart has very reasonable brass ranges, no doubles, and Oliver's sort-of gospel feel to it. It is...

Here's an easy, happy blues chart that's just perfect for the developing band. Features a tasty 'soft shout chorus' which gradually builds to a powerful conclusion.

Reet Petite ist ein großartiges Stück für einen Tanzauftritt mit gemischtem Publikum. Es ist einer dieser Songs, der die Leute fast von der ersten Note an auf die Tanzfläche bringt. Unsere Version fol...

Jazz Classics for the Young Ensemble - Grade 3 This production number for young players offers a perfect way to honor the music of the legendary Duke Ellington Orchestra. This swingin' medley takes yo...

1. Stille Nacht, 2. O Du Fröhliche, 3. We Wish You a Merry Little Christmas

Die Musik von Glenn Miller ist zeitlos. Der Arrangeur und Texter Jeff Hest zollt ihm mit einem Medley dreier großer Hits aus der Big-Band-Ära, als Miller König war, Tribut. Alle patentierten Glenn-Mil...

Ein großartiges swingendes Medley bestehend aus O Little Town of Bethlehem, The First Noel und Joy To The World. Es ist einfach einzustudieren, enthält keine Soli, und jede Instrumentengruppe bekommt...

Outstanding medley of Basie's most memorable classics. Includes: Jumpin' At The Woodside, Cute (with solo for Trumpet of Alto), Shiny Stockings, and the trademark closer, April In Paris.

Besetzung: 5-4-4-4 Partitur, as recorded by the 'Andre Carol Orchestra'

Here is a re-creation and transcription of three classic hits made famous by the late, great clarinetist Artie Shaw. Arranger Jeff Hest has gone the extra mile to provide an accurate transcription of...

Dies ist eine musikalische Schnitzeljagd durch die Winterferien, die es zu entdecken gilt - wie viele Melodien können Sie in dieser Titel finden? Es handelt sich um einen funkigen Swing im Cut-Time-Ta...

As recorded by the Stan Kenton Orchestra on 'Merry Christmas', this chart has optional saxophone parts which nicely cover the french horn parts (originally written for only brass and rhythm section)....

Super Stimmungs-Medley mit den besten Titeln von Chis Roberts. Arrangement: Erwin Jahreis, Grad: 2-3, Stil: Disco-Beat. Tonart: B-, As- und F-Dur.

Besetzung: Klarinette / Alto / 2 Tenorsax / Bariton 3 Trompeten / 3 Posaunen / Rhythmus

Mark Taylor's arrangement of this classic early composition from Chick Corea starts with the saxes playing the rubato opening, followed by a moderate tempo Latin/rock groove. The main theme is stated...

This Ellington favorite adapts beautifully to the small band format in the skilled hands of Michael Mossman. The classic tune is still there, but with a contemporary twist.

Contemporary Straight-Eighth Maiden Voyage-Feel. Ideal für den Einstieg in die Improvisation, da es nur wenige Sus-Akkorde gibt.

Hören Sie sich den Jazz-Bassisten Christian McBride an! Dieser geradlinige Achtel-Groove, der auf McBrides neuester CD zu hören ist, wird Ihnen gefallen. Diese angesagte Melodie mit einer Geschwindigk...

A big ensemble intro leads into the familiar and hip bass and piano lick followed by a melody stated by alto, tenor, trumpet, and trombone. This chart features great section and ensemble parts through...

Composed by brothers Cannonball and Nat Adderley, this straight-eighth groove will captivate. At 120 BPM, the lead trumpet range is to written G on top of the staff, solos are written-out for alto and...

This chart is a creative musical voyage! With a Metheny-flavor, the work begins with bari sax and band vocals trading back and forth. Then the swing groove begins at 184 BPM with a soaring ensemble fe...

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...