Noten für gemischtes Ensemble

Commissioned by Melinda Maxwell with funds from the Golsoncott Foundation, and first performed by Melinda Maxwell (Oboe) and Richard Benjafield (Vibe), at RNCM, Manchester, 16th February 2000.

Commissioned by Melinda Maxwell with funds from the Golsoncott Foundation, and first performed by Melinda Maxwell (Oboe) and Richard Benjafield (Vibe), at RNCM, Manchester, 16th February 2000.

11'; for Soprano, Recorder, Cello and Harpsichord. Published 2003. Text: Aloysius Bertrand. First performance: Lesley-Jane Rogers (sop), with John Turner, Jonathan Price and Janet Simpson, Bridgewa...

For soprano, clarinet and vibraphone. Published 2004. Text: Magdalena Mismarza de la Luz. First performed by Marie Vassiliou (sop) and Endymion, 12th July 2004. Score and parts.

For Bassoon and String Quartet or String Ensemble. Published 2005. Score.

8'40''; voice and ensemble. Published 2006. For voice, Recorder (Treble & Descant), Oboe, Clarinet, Bassoon, Trumpet, 3 Violins (or 2 vlns & vla), vc. First performance: 14th July 2006, Binham Prior...

8'40''; voice and ensemble Published 2006 For voice, Recorder (Treble & Descant), Oboe, Clarinet, Bassoon, Trumpet, 3 Violins (or 2 vlns & vla), vc. First performance: 14th July 2006, Binham Priory,...

8'10''; For Soprano, Recorder, Oboe, Violin and Cello. for soprano, recorder, oboe, violin and cello Poems by Charles Baudelaire and Marcel Proust.

For Treble or Light Mezzo, Counter-Tenor and Vibraphone. Text by John Clare. Score.

For Alto Flute, Vibraphone and Cello. Published in 2007. First performed by Seymour Group, Sydney, Australia, 10th June 1995. Score and Parts.

For Flute, Vibraphone and Clarinet.

For Soprano and 7 players (Flute, Alto Clarinet, C Trumpet, Vibraphone, Piano, Violin, Viola) Duration: 14'30''

For Alto Flute or Oboe, Viola, Violin and Cello.

Hope's Place by Anthony Gilbert. 18'18, for septet of 4 Wind and String trio. Chamber concertino for Flute doubling Alto Flute; Oboe doubling Oboe d'amore; Clarinet in Bb doubling either Bass Clarinet...

Sopran solo, Posaune (4) (Horn (4)) Cembalo (Harfe) ; Partitur, Stimme(n). Format: 2 x 12 S. Part. + 4 S. Stimmen - 29,7 x 21 cm.

Stimme, Posaune (Horn) Cembalo (Harfe) ; Partitur, Stimme(n). Format: 8 S. Part. + 2 x 1 S. Stimme - 29,7 x 21 cm.

Trompete, Posaune und Orgel, die Instrumente des sakralen Raumes, gleichzeitig drei durch Luft zum Klingen gebrachte Instrumente, vereinigen sich zum Musizieren in der Triobesetzung. Bekannte und weni...

Trompete, Posaune und Orgel, die Instrumente des sakralen Raumes, gleichzeitig drei durch Luft zum Klingen gebrachte Instrumente, vereinigen sich zum Musizieren in der Triobesetzung. Bekannte und weni...

Ádám Kondor was born in Budapest in 1964. He completed his studies at the Ferenc Liszt Academy of Music, and in 1994 gained his diploma in composition. His most influential teachers were Albert Simon...

Ádám Kondor compiled this series from poems written by Thomas Hardy after the age of 70, when the poet was mourning the death of his wife. According to the composer, he was fascinated by the figure of...

In this piece the musicians have not only instrumental but also acting roles. They have to walk about the performing area in accordance with a specific plan, while uttering words and sentences taken f...

Linked to expressive, passionate verses by Albert Ehrenstein (1886?1950) is a quiet meditation by an unknown 16th-century English poet on the relationship between music and the night. Two languages, t...

Die Komposition ist eine Paraphrase des Werkes Chi fa notte il giorno des zeitgenössischen italienischen Komponisten Luca Lombardi. Die Uraufführung fand am 1. Juni 2003. in derBudapester Kunsthalle s...

The set of eight short duets entitled Schattenwelt, Schlachtfeld was composed in 1999 and was influenced by the extraordinary clarinet-playing of Barbaros Erköse (Istambul). Employing simple stage mov...