Noten für Gesang: Finden Sie Ihre Stimme
Tulips composed by Roger Quilter with words by Robert Herrick in the key of Eb Major arranged for voice and piano.
Tulips composed by Roger Quilter with words by Robert Herrick in the key of Eb Major arranged for voice and piano.
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Go, Lovely Rose composed by Roger Quilter with words by Edmund Waller from 'Five English Love Lyrics' arranged for voice and piano in the key of Eb Major.
Go, Lovely Rose composed by Roger Quilter with words by Edmund Waller from 'Five English Love Lyrics' arranged for voice and piano in the key of Eb Major.
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Go, Lovely Rose composed by Roger Quilter with words by Edmund Waller from 'Five English Love Lyrics' arranged for voice and piano in the key of F Major.
Go, Lovely Rose composed by Roger Quilter with words by Edmund Waller from 'Five English Love Lyrics' arranged for voice and piano in the key of F Major.
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Go, Lovely Rose composed by Roger Quilter with words by Edmund Waller from 'Five English Love Lyrics' arranged for voice and piano in the key of Gb Major.
Go, Lovely Rose composed by Roger Quilter with words by Edmund Waller from 'Five English Love Lyrics' arranged for voice and piano in the key of Gb Major.
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I Dreamt That I Dwelt In Marble Halls, written by MW Balfe with words by Alfred Bunn, arranged for voice and piano in the key of D Major.
I Dreamt That I Dwelt In Marble Halls, written by MW Balfe with words by Alfred Bunn, arranged for voice and piano in the key of D Major.
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I Dreamt That I Dwelt In Marble Halls, written by MW Balfe with words by Alfred Bunn, arranged for voice and piano in the key of Eb Major.
I Dreamt That I Dwelt In Marble Halls, written by MW Balfe with words by Alfred Bunn, arranged for voice and piano in the key of Eb Major.
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Love Calls Through The Summer Night, written by Roger Quilter with words by Rodney Bennett, from the light opera 'Love At The Inn', arranged for voice and piano.
Love Calls Through The Summer Night, written by Roger Quilter with words by Rodney Bennett, from the light opera 'Love At The Inn', arranged for voice and piano.
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Love Calls Through The Summer Night, written by Roger Quilter with words by Rodney Bennett, from the light opera 'Love At The Inn', arranged for voice and piano.
Love Calls Through The Summer Night, written by Roger Quilter with words by Rodney Bennett, from the light opera 'Love At The Inn', arranged for voice and piano.
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Among The Hills Of Wales, written by Ivor Novello with words by Brian Evans, arranged for voice and piano.
Among The Hills Of Wales, written by Ivor Novello with words by Brian Evans, arranged for voice and piano.
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And Her Mother Came Too, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
And Her Mother Came Too, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
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And That's Not All, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
And That's Not All, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
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Anything I Can Do For You?, written by Ivor Novello with words by Davy Burnaby and Ronald Jeans, arranged for voice and piano.
Anything I Can Do For You?, written by Ivor Novello with words by Davy Burnaby and Ronald Jeans, arranged for voice and piano.
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April's Lady, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
April's Lady, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
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Baby Blues, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
Baby Blues, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
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Barbary, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
Barbary, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
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Bless You, written by Ivor Novello with words by Douglas Furber, arranged for voice and piano in the key of Eb Major.
Bless You, written by Ivor Novello with words by Douglas Furber, arranged for voice and piano in the key of Eb Major.
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Bless You, written by Ivor Novello with words by Douglas Furber, arranged for voice and piano in the key of G Major.
Bless You, written by Ivor Novello with words by Douglas Furber, arranged for voice and piano in the key of G Major.
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Bombazooloo, written by Philip Braham with words by Eric Blore, arranged for voice and piano.
Bombazooloo, written by Philip Braham with words by Eric Blore, arranged for voice and piano.
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Clear The Road To Glory! (March Of Liberation), written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Clear The Road To Glory! (March Of Liberation), written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Cousinly Love, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
Cousinly Love, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
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A Ladies' Man, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
A Ladies' Man, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
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Dartmoor Days, written by Ivor Novello with words by PG Wodehouse and Fred Thompson, arranged for voice and piano.
Dartmoor Days, written by Ivor Novello with words by PG Wodehouse and Fred Thompson, arranged for voice and piano.
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Dear Eyes That Shine, written by Ivor Novello with words by PG Wodehouse, arranged for voice and piano.
Dear Eyes That Shine, written by Ivor Novello with words by PG Wodehouse, arranged for voice and piano.
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Dream Boat, written by Ivor Novello, arranged for voice and piano in the key of Eb Major.
Dream Boat, written by Ivor Novello, arranged for voice and piano in the key of Eb Major.
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Dream Boat, written by Ivor Novello, arranged for voice and piano in the key of F Major.
Dream Boat, written by Ivor Novello, arranged for voice and piano in the key of F Major.
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Entdecken Sie die Welt der Vokalmusik – Noten für jede Stimme
Die Stimme: Das persönlichste Instrument
Gesang ist die ursprünglichste Form des Musizierens und berührt uns unmittelbar. Keine andere Kunstform kann Emotionen so direkt transportieren. Das Repertoire ist schier grenzenlos und reicht von klassischen Kunstliedern und Opernarien über Swing-Klassiker und Jazz-Standards bis hin zu den größten Hits aus Pop, Rock und Musical. Bedeutende Verlage wie Hal Leonard, Bärenreiter oder Schott Music bieten hierfür eine unglaubliche Fülle an hochwertigen Ausgaben, die Sängerinnen und Sänger weltweit inspirieren.Schon seit jeher hat der Mensch seine Stimme zur Kommunikation genutzt, nicht nur zum Sprechen, sondern darüber hinaus für die unterschiedlichsten Funktionen: Seien es Lautsilben-Rufe („Juchitzer“ oder „Juchzer“) in den Bergen, um über weite Entfernungen hinweg Informationen auszutauschen oder Viehherden zu rufen (damit verknüpft kennen wird das „Jodeln“), seien es rituelle Gesänge oder Mantren, die heilige Zeremonien begleiten, seien es nicht enden wollende rhythmische Lieder, die in der Gruppe die Feldarbeit erleichtern, seien es die Minnegesänge des Mittelalters, mit Hilfe derer in einer Art ritterlichen Wettkampfes um die Gunst der Adelsdamen geworben wurde (gewagt vergleichbar vielleicht mit den Werbungstänzen von beipielsweise Paradiesvögeln) – das Bedürfnis, sich über die Sprache hinaus tonal auszudrücken steckt wohl seit der Geburt in uns und kann die vielfältigsten Formen annehmen. Es ist kaum vorstellbar, dass man im Laufe seines Lebens nicht mit Gesang in Berührung gekommen ist oder selbst gesungen hat; vom einfachen Schlaflied über Kinderlieder, bis hin zu Kirchenliedern.