Noten für Gesang: Finden Sie Ihre Stimme
Dusky Nipper, written by Ivor Novello with words by Ben Travers, arranged for voice and piano.
Dusky Nipper, written by Ivor Novello with words by Ben Travers, arranged for voice and piano.
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Easy To Live With, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Easy To Live With, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Eventide, written by Doris Joel with words by Arthur Weigall, arranged for voice and piano.
Eventide, written by Doris Joel with words by Arthur Weigall, arranged for voice and piano.
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Every Little Girl Can Teach Me Something New, written by Ivor Novello with words by Adrian Ross, arranged for voice and piano.
Every Little Girl Can Teach Me Something New, written by Ivor Novello with words by Adrian Ross, arranged for voice and piano.
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Far Away In A Shanty Town, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Far Away In A Shanty Town, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Fly Home, Little Heart, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Fly Home, Little Heart, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Fold Your Wings, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Fold Your Wings, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Forest Echoes, written by Ivor Novello, arranged for voice and piano.
Forest Echoes, written by Ivor Novello, arranged for voice and piano.
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Give Me Back My Heart (You'll Not Be Wanting It Again), written by Ivor Novello, arranged for voice and piano.
Give Me Back My Heart (You'll Not Be Wanting It Again), written by Ivor Novello, arranged for voice and piano.
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Glamorous Night, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Glamorous Night, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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The Goblin Golliwog Trees, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
The Goblin Golliwog Trees, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
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Highwayman Love (from 'Perchance To Dream'), written by Ivor Novello, arranged for voice and piano.
Highwayman Love (from 'Perchance To Dream'), written by Ivor Novello, arranged for voice and piano.
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Hold On To Love, written by Ivor Novello, arranged for voice and piano.
Hold On To Love, written by Ivor Novello, arranged for voice and piano.
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I Can Give You The Starlight, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
I Can Give You The Starlight, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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I Can't Find A Place For That, written by Harold Montague with words by Ralph Roberts, arranged for voice and piano.
I Can't Find A Place For That, written by Harold Montague with words by Ralph Roberts, arranged for voice and piano.
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I Hate That Tune, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
I Hate That Tune, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
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I Hate To Give Trouble, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
I Hate To Give Trouble, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
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I Said Good Bye, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
I Said Good Bye, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
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If I Ever Lost You, written by Ivor Novello with words by PG Wodehouse, arranged for voice and piano.
If I Ever Lost You, written by Ivor Novello with words by PG Wodehouse, arranged for voice and piano.
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If Only She'd Looked My Way, written by Ivor Novello with words by Alan Melville, arranged for voice and piano.
If Only She'd Looked My Way, written by Ivor Novello with words by Alan Melville, arranged for voice and piano.
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If This Were Love, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
If This Were Love, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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If You Only Knew, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
If You Only Knew, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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If You Were King In Babylon, written by Ivor Novello, arranged for voice and piano.
If You Were King In Babylon, written by Ivor Novello, arranged for voice and piano.
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The Automatic Wedding, written by Philip Braham with words by L Godfrey Turner, arranged for voice and piano.
The Automatic Wedding, written by Philip Braham with words by L Godfrey Turner, arranged for voice and piano.
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It's Just A Memory, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
It's Just A Memory, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
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Entdecken Sie die Welt der Vokalmusik – Noten für jede Stimme
Die Stimme: Das persönlichste Instrument
Gesang ist die ursprünglichste Form des Musizierens und berührt uns unmittelbar. Keine andere Kunstform kann Emotionen so direkt transportieren. Das Repertoire ist schier grenzenlos und reicht von klassischen Kunstliedern und Opernarien über Swing-Klassiker und Jazz-Standards bis hin zu den größten Hits aus Pop, Rock und Musical. Bedeutende Verlage wie Hal Leonard, Bärenreiter oder Schott Music bieten hierfür eine unglaubliche Fülle an hochwertigen Ausgaben, die Sängerinnen und Sänger weltweit inspirieren.Schon seit jeher hat der Mensch seine Stimme zur Kommunikation genutzt, nicht nur zum Sprechen, sondern darüber hinaus für die unterschiedlichsten Funktionen: Seien es Lautsilben-Rufe („Juchitzer“ oder „Juchzer“) in den Bergen, um über weite Entfernungen hinweg Informationen auszutauschen oder Viehherden zu rufen (damit verknüpft kennen wird das „Jodeln“), seien es rituelle Gesänge oder Mantren, die heilige Zeremonien begleiten, seien es nicht enden wollende rhythmische Lieder, die in der Gruppe die Feldarbeit erleichtern, seien es die Minnegesänge des Mittelalters, mit Hilfe derer in einer Art ritterlichen Wettkampfes um die Gunst der Adelsdamen geworben wurde (gewagt vergleichbar vielleicht mit den Werbungstänzen von beipielsweise Paradiesvögeln) – das Bedürfnis, sich über die Sprache hinaus tonal auszudrücken steckt wohl seit der Geburt in uns und kann die vielfältigsten Formen annehmen. Es ist kaum vorstellbar, dass man im Laufe seines Lebens nicht mit Gesang in Berührung gekommen ist oder selbst gesungen hat; vom einfachen Schlaflied über Kinderlieder, bis hin zu Kirchenliedern.