Noten für Gesang: Finden Sie Ihre Stimme
Just A Jack Or Tommy!, written by Ivor Novello with words by K Huggins, arranged for voice and piano in the key of Eb Major.
Just A Jack Or Tommy!, written by Ivor Novello with words by K Huggins, arranged for voice and piano in the key of Eb Major.
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Just A Jack Or Tommy!, written by Ivor Novello with words by K Huggins, arranged for voice and piano in the key of F Major.
Just A Jack Or Tommy!, written by Ivor Novello with words by K Huggins, arranged for voice and piano in the key of F Major.
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Laddie In Khaki, written by Ivor Novello, arranged for voice and piano in the key of D Major.
Laddie In Khaki, written by Ivor Novello, arranged for voice and piano in the key of D Major.
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Laddie In Khaki, written by Ivor Novello, arranged for voice and piano in the key of F Major.
Laddie In Khaki, written by Ivor Novello, arranged for voice and piano in the key of F Major.
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Lend Me A Dream, written by Ivor Novello, arranged for voice and piano.
Lend Me A Dream, written by Ivor Novello, arranged for voice and piano.
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Lonely Soldier, written by Ivor Novello with words by PG Wodehouse, arranged for voice and piano.
Lonely Soldier, written by Ivor Novello with words by PG Wodehouse, arranged for voice and piano.
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Lost, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
Lost, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
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Love Made The Song, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Love Made The Song, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Man Of My Heart, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Man Of My Heart, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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The Manchuko, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
The Manchuko, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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The Man Of Forty, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
The Man Of Forty, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
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The Bridge Across The Stream, written by Ivor Novello with words by JE MacManus, arranged for voice and piano.
The Bridge Across The Stream, written by Ivor Novello with words by JE MacManus, arranged for voice and piano.
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The Bye-Bye Rag, written by Philip Braham with words by Arthur Weigall, arranged for voice and piano.
The Bye-Bye Rag, written by Philip Braham with words by Arthur Weigall, arranged for voice and piano.
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The Candy Girls, written by Ivor Novello with words by Adrian Ross, arranged for voice and piano.
The Candy Girls, written by Ivor Novello with words by Adrian Ross, arranged for voice and piano.
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The Gates Of Paradise, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
The Gates Of Paradise, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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The Garden Of England, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
The Garden Of England, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
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The House I'd Build, written by Ivor Novello with words by Donovan Parsons, arranged for voice and piano.
The House I'd Build, written by Ivor Novello with words by Donovan Parsons, arranged for voice and piano.
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A Woman's Heart (from 'Perchance To Dream'), written by Ivor Novello, arranged for voice and piano.
A Woman's Heart (from 'Perchance To Dream'), written by Ivor Novello, arranged for voice and piano.
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Each Day In Passing, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
Each Day In Passing, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
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March With Me, written by Ivor Novello with words by Douglas Furber, arranged for voice and piano.
March With Me, written by Ivor Novello with words by Douglas Furber, arranged for voice and piano.
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Mr Pau-Puk-Keewis, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
Mr Pau-Puk-Keewis, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
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Music In May, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Music In May, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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My Dearest Dear, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
My Dearest Dear, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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My Friend John, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
My Friend John, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
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My Girl, written by Ivor Novello with words by PG Wodehouse, arranged for voice and piano.
My Girl, written by Ivor Novello with words by PG Wodehouse, arranged for voice and piano.
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Entdecken Sie die Welt der Vokalmusik – Noten für jede Stimme
Die Stimme: Das persönlichste Instrument
Gesang ist die ursprünglichste Form des Musizierens und berührt uns unmittelbar. Keine andere Kunstform kann Emotionen so direkt transportieren. Das Repertoire ist schier grenzenlos und reicht von klassischen Kunstliedern und Opernarien über Swing-Klassiker und Jazz-Standards bis hin zu den größten Hits aus Pop, Rock und Musical. Bedeutende Verlage wie Hal Leonard, Bärenreiter oder Schott Music bieten hierfür eine unglaubliche Fülle an hochwertigen Ausgaben, die Sängerinnen und Sänger weltweit inspirieren.Schon seit jeher hat der Mensch seine Stimme zur Kommunikation genutzt, nicht nur zum Sprechen, sondern darüber hinaus für die unterschiedlichsten Funktionen: Seien es Lautsilben-Rufe („Juchitzer“ oder „Juchzer“) in den Bergen, um über weite Entfernungen hinweg Informationen auszutauschen oder Viehherden zu rufen (damit verknüpft kennen wird das „Jodeln“), seien es rituelle Gesänge oder Mantren, die heilige Zeremonien begleiten, seien es nicht enden wollende rhythmische Lieder, die in der Gruppe die Feldarbeit erleichtern, seien es die Minnegesänge des Mittelalters, mit Hilfe derer in einer Art ritterlichen Wettkampfes um die Gunst der Adelsdamen geworben wurde (gewagt vergleichbar vielleicht mit den Werbungstänzen von beipielsweise Paradiesvögeln) – das Bedürfnis, sich über die Sprache hinaus tonal auszudrücken steckt wohl seit der Geburt in uns und kann die vielfältigsten Formen annehmen. Es ist kaum vorstellbar, dass man im Laufe seines Lebens nicht mit Gesang in Berührung gekommen ist oder selbst gesungen hat; vom einfachen Schlaflied über Kinderlieder, bis hin zu Kirchenliedern.