Noten für Gesang: Finden Sie Ihre Stimme
My Heart Is Saying, written by Vivian Ellis with words by Donovan Parsons and Douglas Furber, arranged for voice and piano.
My Heart Is Saying, written by Vivian Ellis with words by Donovan Parsons and Douglas Furber, arranged for voice and piano.
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My Life Belongs To You, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
My Life Belongs To You, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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My London Town, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
My London Town, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
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Night May Have Its Sadness, written by Ivor Novello with words by Collie Knox, arranged for voice and piano.
Night May Have Its Sadness, written by Ivor Novello with words by Collie Knox, arranged for voice and piano.
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Nuts In May, written by Ivor Novello with words by PG Wodehouse, arranged for voice and piano.
Nuts In May, written by Ivor Novello with words by PG Wodehouse, arranged for voice and piano.
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Old Acquaintance Blues, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
Old Acquaintance Blues, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
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On Such A Night As This, written by Ivor Novello with words by Alan Melville, arranged for voice and piano.
On Such A Night As This, written by Ivor Novello with words by Alan Melville, arranged for voice and piano.
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Our England, written by Ivor Novello with words by Reginald Arkell, arranged for voice and piano.
Our England, written by Ivor Novello with words by Reginald Arkell, arranged for voice and piano.
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Paris Reminds Me Of You, written by Ivor Novello, arranged for voice and piano.
Paris Reminds Me Of You, written by Ivor Novello, arranged for voice and piano.
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Penelope, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
Penelope, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
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The Path My Lady Walks (from 'Perchance To Dream'), written by Ivor Novello, arranged for voice and piano.
The Path My Lady Walks (from 'Perchance To Dream'), written by Ivor Novello, arranged for voice and piano.
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Quality Street, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
Quality Street, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
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The Radiance In Your Eyes, written by Ivor Novello, arranged for voice and piano in the key of F Major.
The Radiance In Your Eyes, written by Ivor Novello, arranged for voice and piano in the key of F Major.
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Raggedy Doll, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
Raggedy Doll, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
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Rough Stuff, written by Ivor Novello with words by Collie Knox and Ronald Jeans, arranged for voice and piano.
Rough Stuff, written by Ivor Novello with words by Collie Knox and Ronald Jeans, arranged for voice and piano.
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Same Old Moon, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
Same Old Moon, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
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She Needs Another Now, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
She Needs Another Now, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
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Shine Through My Dreams, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano in the key of Bb Major.
Shine Through My Dreams, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano in the key of Bb Major.
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Shine Through My Dreams, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano in the key of C Major.
Shine Through My Dreams, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano in the key of C Major.
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Shine Through My Dreams, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano in the key of Db Major.
Shine Through My Dreams, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano in the key of Db Major.
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Some Day My Heart Will Awake, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Some Day My Heart Will Awake, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Something Doing Over The Way, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
Something Doing Over The Way, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
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Take Your Girl, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Take Your Girl, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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The Thought Never Entered My Head, written by Ivor Novello with words by Donovan Parsons, arranged for voice and piano.
The Thought Never Entered My Head, written by Ivor Novello with words by Donovan Parsons, arranged for voice and piano.
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The Violin Began To Play, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
The Violin Began To Play, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Entdecken Sie die Welt der Vokalmusik – Noten für jede Stimme
Die Stimme: Das persönlichste Instrument
Gesang ist die ursprünglichste Form des Musizierens und berührt uns unmittelbar. Keine andere Kunstform kann Emotionen so direkt transportieren. Das Repertoire ist schier grenzenlos und reicht von klassischen Kunstliedern und Opernarien über Swing-Klassiker und Jazz-Standards bis hin zu den größten Hits aus Pop, Rock und Musical. Bedeutende Verlage wie Hal Leonard, Bärenreiter oder Schott Music bieten hierfür eine unglaubliche Fülle an hochwertigen Ausgaben, die Sängerinnen und Sänger weltweit inspirieren.Schon seit jeher hat der Mensch seine Stimme zur Kommunikation genutzt, nicht nur zum Sprechen, sondern darüber hinaus für die unterschiedlichsten Funktionen: Seien es Lautsilben-Rufe („Juchitzer“ oder „Juchzer“) in den Bergen, um über weite Entfernungen hinweg Informationen auszutauschen oder Viehherden zu rufen (damit verknüpft kennen wird das „Jodeln“), seien es rituelle Gesänge oder Mantren, die heilige Zeremonien begleiten, seien es nicht enden wollende rhythmische Lieder, die in der Gruppe die Feldarbeit erleichtern, seien es die Minnegesänge des Mittelalters, mit Hilfe derer in einer Art ritterlichen Wettkampfes um die Gunst der Adelsdamen geworben wurde (gewagt vergleichbar vielleicht mit den Werbungstänzen von beipielsweise Paradiesvögeln) – das Bedürfnis, sich über die Sprache hinaus tonal auszudrücken steckt wohl seit der Geburt in uns und kann die vielfältigsten Formen annehmen. Es ist kaum vorstellbar, dass man im Laufe seines Lebens nicht mit Gesang in Berührung gekommen ist oder selbst gesungen hat; vom einfachen Schlaflied über Kinderlieder, bis hin zu Kirchenliedern.