Noten für Gesang: Finden Sie Ihre Stimme
The Wedding Jazz, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
The Wedding Jazz, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano.
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The Wings Of Sleep, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
The Wings Of Sleep, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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The Years Together, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
The Years Together, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Think Again, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
Think Again, written by Ivor Novello with words by Ronald Jeans, arranged for voice and piano.
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Thoughts Of You, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano in the key of C Major.
Thoughts Of You, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano in the key of C Major.
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Thoughts Of You, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano in the key of Eb Major.
Thoughts Of You, written by Ivor Novello with words by Clifford Grey, arranged for voice and piano in the key of Eb Major.
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Till The Boys Come Home (Keep The Home Fires Burning), written by Ivor Novello with words by Lena Guilbert Ford, arranged for voice and piano in the key of F Major with both English and Italian words.
Till The Boys Come Home (Keep The Home Fires Burning), written by Ivor Novello with words by Lena Guilbert Ford, arranged for voice and piano in the key of F Major with both English and Italian words.
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Till The Boys Come Home (Keep The Home Fires Burning), written by Ivor Novello with words by Lena Guilbert Ford, arranged for voice and piano in the key of G Major with both English and Italian words.
Till The Boys Come Home (Keep The Home Fires Burning), written by Ivor Novello with words by Lena Guilbert Ford, arranged for voice and piano in the key of G Major with both English and Italian words.
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Used To You, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Used To You, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Vitality, written by Ivor Novello with words by Alan Melville, arranged for voice and piano.
Vitality, written by Ivor Novello with words by Alan Melville, arranged for voice and piano.
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Waking Or Sleeping, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Waking Or Sleeping, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Waltz Of My Heart, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Waltz Of My Heart, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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We'll Remember (Grin, Grin, Grin! Win, Win, Win!), written by Ivor Novello with words by Collie Knox, arranged for voice and piano in the key of Eb Major.
We'll Remember (Grin, Grin, Grin! Win, Win, Win!), written by Ivor Novello with words by Collie Knox, arranged for voice and piano in the key of Eb Major.
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We're One Big Family, written by Ivor Novello with words by Harold Pyrke, arranged for voice and piano.
We're One Big Family, written by Ivor Novello with words by Harold Pyrke, arranged for voice and piano.
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What Do You Mean?, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
What Do You Mean?, written by Ivor Novello with words by Dion Titheradge, arranged for voice and piano.
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When Love Awakes, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
When Love Awakes, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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When The Great Day Comes, written by Ivor Novello with words by Edward Teschemacher, arranged for voice and piano.
When The Great Day Comes, written by Ivor Novello with words by Edward Teschemacher, arranged for voice and piano.
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When The Gypsy Played, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
When The Gypsy Played, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Who Shall Say That Heaven, written by Ivor Novello with words by Beverley Nichols, arranged for voice and piano.
Who Shall Say That Heaven, written by Ivor Novello with words by Beverley Nichols, arranged for voice and piano.
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Why Is There Ever Good-Bye?, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Why Is There Ever Good-Bye?, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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Why Isn't It You, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
Why Isn't It You, written by Ivor Novello with words by Christopher Hassall, arranged for voice and piano.
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The Lord's Prayer, based on the first movement of the Moonlight Sonata Op.27, No.2 composed by Ludwig Van Beethoven, adapted by Charles E Bodley for voice and piano.
The Lord's Prayer, based on the first movement of the Moonlight Sonata Op.27, No.2 composed by Ludwig Van Beethoven, adapted by Charles E Bodley for voice and piano.
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The Licorice Fields At Pontefract, written by Donald Swann with words by John Betjeman, from A Collection of Songs, arranged for voice and piano.
The Licorice Fields At Pontefract, written by Donald Swann with words by John Betjeman, from A Collection of Songs, arranged for voice and piano.
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Senex, written by Donald Swann with words by John Betjeman, from A Collection of Songs, arranged for voice and piano.
Senex, written by Donald Swann with words by John Betjeman, from A Collection of Songs, arranged for voice and piano.
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Margate 1940, written by Donald Swann with words by John Betjeman, from A Collection of Songs, arranged for voice and piano.
Margate 1940, written by Donald Swann with words by John Betjeman, from A Collection of Songs, arranged for voice and piano.
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Entdecken Sie die Welt der Vokalmusik – Noten für jede Stimme
Die Stimme: Das persönlichste Instrument
Gesang ist die ursprünglichste Form des Musizierens und berührt uns unmittelbar. Keine andere Kunstform kann Emotionen so direkt transportieren. Das Repertoire ist schier grenzenlos und reicht von klassischen Kunstliedern und Opernarien über Swing-Klassiker und Jazz-Standards bis hin zu den größten Hits aus Pop, Rock und Musical. Bedeutende Verlage wie Hal Leonard, Bärenreiter oder Schott Music bieten hierfür eine unglaubliche Fülle an hochwertigen Ausgaben, die Sängerinnen und Sänger weltweit inspirieren.Schon seit jeher hat der Mensch seine Stimme zur Kommunikation genutzt, nicht nur zum Sprechen, sondern darüber hinaus für die unterschiedlichsten Funktionen: Seien es Lautsilben-Rufe („Juchitzer“ oder „Juchzer“) in den Bergen, um über weite Entfernungen hinweg Informationen auszutauschen oder Viehherden zu rufen (damit verknüpft kennen wird das „Jodeln“), seien es rituelle Gesänge oder Mantren, die heilige Zeremonien begleiten, seien es nicht enden wollende rhythmische Lieder, die in der Gruppe die Feldarbeit erleichtern, seien es die Minnegesänge des Mittelalters, mit Hilfe derer in einer Art ritterlichen Wettkampfes um die Gunst der Adelsdamen geworben wurde (gewagt vergleichbar vielleicht mit den Werbungstänzen von beipielsweise Paradiesvögeln) – das Bedürfnis, sich über die Sprache hinaus tonal auszudrücken steckt wohl seit der Geburt in uns und kann die vielfältigsten Formen annehmen. Es ist kaum vorstellbar, dass man im Laufe seines Lebens nicht mit Gesang in Berührung gekommen ist oder selbst gesungen hat; vom einfachen Schlaflied über Kinderlieder, bis hin zu Kirchenliedern.