Noten für Gesang: Finden Sie Ihre Stimme
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- Gesang (tief) und Klavier
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- Gesang (mittel) und Klavier
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- Gesang (hoch) und Klavier
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Time Cannot Change - A Faithful Heart, written by Rex Burrows with words by Bruce Sievier, arranged for voice and piano.
Time Cannot Change - A Faithful Heart, written by Rex Burrows with words by Bruce Sievier, arranged for voice and piano.
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Girls Were Made To Love And Kiss, written by Franz Lehar with English words by AP Herbert, from the Operette 'Paganini', arranged by Paul Knepler and Bela Jenbach, arranged for voice and piano.
Girls Were Made To Love And Kiss, written by Franz Lehar with English words by AP Herbert, from the Operette 'Paganini', arranged by Paul Knepler and Bela Jenbach, arranged for voice and piano.
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In Summertime On Bredon, written by Graham Peel with words by AE Housman, arranged for voice and piano in the key of Eb Major.
In Summertime On Bredon, written by Graham Peel with words by AE Housman, arranged for voice and piano in the key of Eb Major.
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In Summertime On Bredon, written by Graham Peel with words by AE Housman, arranged for voice and piano in the key of F Major.
In Summertime On Bredon, written by Graham Peel with words by AE Housman, arranged for voice and piano in the key of F Major.
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You Are My Heart's Delight, written by Franz Lehar with English words by Harry Graham, from 'The Land Of Smiles', arranged for voice and piano in the key of Ab Major.
You Are My Heart's Delight, written by Franz Lehar with English words by Harry Graham, from 'The Land Of Smiles', arranged for voice and piano in the key of Ab Major.
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You Are My Heart's Delight, written by Franz Lehar with English words by Harry Graham, from 'The Land Of Smiles', arranged for voice and piano in the key of C Major.
You Are My Heart's Delight, written by Franz Lehar with English words by Harry Graham, from 'The Land Of Smiles', arranged for voice and piano in the key of C Major.
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You Are My Heart's Delight, written by Franz Lehar with English words by Harry Graham, from 'The Land Of Smiles', arranged for voice and piano in the key of Db Major.
You Are My Heart's Delight, written by Franz Lehar with English words by Harry Graham, from 'The Land Of Smiles', arranged for voice and piano in the key of Db Major.
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Fool's World, written by Seifert Brizant and Norman Hardy, arranged for voice and piano.
Fool's World, written by Seifert Brizant and Norman Hardy, arranged for voice and piano.
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The Folding Hills Of Wondabyne, written by Hal Evans with words by Claire Beresford-Jones, arranged for voice and piano.
The Folding Hills Of Wondabyne, written by Hal Evans with words by Claire Beresford-Jones, arranged for voice and piano.
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My Heart's With A Convoy, written by Vivian Ellis, arranged for voice and piano.
My Heart's With A Convoy, written by Vivian Ellis, arranged for voice and piano.
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Springtime Reminds Me Of You, written by Fritz Rotter and Walter Jurmann with English words by Desmond Carter, arranged for voice and piano.
Springtime Reminds Me Of You, written by Fritz Rotter and Walter Jurmann with English words by Desmond Carter, arranged for voice and piano.
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The Tears of An Irish Mother, written by Horatio Nicholls with words by Worton David, as performed by Talbot O'Farrell, arranged for voice and piano.
The Tears of An Irish Mother, written by Horatio Nicholls with words by Worton David, as performed by Talbot O'Farrell, arranged for voice and piano.
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A Brown Bird Singing, written by Haydn Wood with words by Royden Barrie, arranged for voice and piano in the key of Ab Major.
A Brown Bird Singing, written by Haydn Wood with words by Royden Barrie, arranged for voice and piano in the key of Ab Major.
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A Brown Bird Singing, written by Haydn Wood with words by Royden Barrie, arranged for voice and piano in the key of D Major.
A Brown Bird Singing, written by Haydn Wood with words by Royden Barrie, arranged for voice and piano in the key of D Major.
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A Brown Bird Singing, written by Haydn Wood with words by Royden Barrie, arranged for voice and piano in the key of F Major.
A Brown Bird Singing, written by Haydn Wood with words by Royden Barrie, arranged for voice and piano in the key of F Major.
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A Brown Bird Singing, written by Haydn Wood with words by Royden Barrie, arranged for voice and piano in the key of G Major.
A Brown Bird Singing, written by Haydn Wood with words by Royden Barrie, arranged for voice and piano in the key of G Major.
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Hang Out The Stars In Indiana, written by Harry Woods with words by Billy Moll, arranged for voice and piano.
Hang Out The Stars In Indiana, written by Harry Woods with words by Billy Moll, arranged for voice and piano.
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Soldiers In The Park, written by Lionel Monckton with words by Aubrey Hopwood, from the Musical Play 'A Runaway Girl', arranged for voice and piano.
Soldiers In The Park, written by Lionel Monckton with words by Aubrey Hopwood, from the Musical Play 'A Runaway Girl', arranged for voice and piano.
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So Deep Is The Night (Reviens Mon Amour), music composed by Frederic Chopin, arranged by Mario Melfi, with original words by Jean Marietti and Andre Viaud, with English lyrics by Sonny Miller, as sung...
So Deep Is The Night (Reviens Mon Amour), music composed by Frederic Chopin, arranged by Mario Melfi, with original words by Jean Marietti and Andre Viaud, with English lyrics by Sonny Miller, as sung...
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The digital sheet music to Thomas Adès's four Purcell arrangements, Four Songs, for medium voice and piano. The collection is comprised of two of Purcell’s Tempest songs ‘Come Unto these Yellow Sands’...
The digital sheet music to Thomas Adès's four Purcell arrangements, Four Songs, for medium voice and piano. The collection is comprised of two of Purcell’s Tempest songs ‘Come Unto these Yellow Sands’...
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Music Of The Night, composed by Eric Coates with words by Phyllis Black, arranged for voice and piano in the key of C Major.
Music Of The Night, composed by Eric Coates with words by Phyllis Black, arranged for voice and piano in the key of C Major.
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Entdecken Sie die Welt der Vokalmusik – Noten für jede Stimme
Die Stimme: Das persönlichste Instrument
Gesang ist die ursprünglichste Form des Musizierens und berührt uns unmittelbar. Keine andere Kunstform kann Emotionen so direkt transportieren. Das Repertoire ist schier grenzenlos und reicht von klassischen Kunstliedern und Opernarien über Swing-Klassiker und Jazz-Standards bis hin zu den größten Hits aus Pop, Rock und Musical. Bedeutende Verlage wie Hal Leonard, Bärenreiter oder Schott Music bieten hierfür eine unglaubliche Fülle an hochwertigen Ausgaben, die Sängerinnen und Sänger weltweit inspirieren.Schon seit jeher hat der Mensch seine Stimme zur Kommunikation genutzt, nicht nur zum Sprechen, sondern darüber hinaus für die unterschiedlichsten Funktionen: Seien es Lautsilben-Rufe („Juchitzer“ oder „Juchzer“) in den Bergen, um über weite Entfernungen hinweg Informationen auszutauschen oder Viehherden zu rufen (damit verknüpft kennen wird das „Jodeln“), seien es rituelle Gesänge oder Mantren, die heilige Zeremonien begleiten, seien es nicht enden wollende rhythmische Lieder, die in der Gruppe die Feldarbeit erleichtern, seien es die Minnegesänge des Mittelalters, mit Hilfe derer in einer Art ritterlichen Wettkampfes um die Gunst der Adelsdamen geworben wurde (gewagt vergleichbar vielleicht mit den Werbungstänzen von beipielsweise Paradiesvögeln) – das Bedürfnis, sich über die Sprache hinaus tonal auszudrücken steckt wohl seit der Geburt in uns und kann die vielfältigsten Formen annehmen. Es ist kaum vorstellbar, dass man im Laufe seines Lebens nicht mit Gesang in Berührung gekommen ist oder selbst gesungen hat; vom einfachen Schlaflied über Kinderlieder, bis hin zu Kirchenliedern.