Noten für Gesang: Finden Sie Ihre Stimme
Champagne, written by Noel Coward with music by Norah Blaney, from 'Waiting In The Wings', arranged for voice and piano.
Champagne, written by Noel Coward with music by Norah Blaney, from 'Waiting In The Wings', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Come The Wild, Wild Weather, written by Noel Coward, from 'Waiting In The Wings', arranged for voice and piano.
Come The Wild, Wild Weather, written by Noel Coward, from 'Waiting In The Wings', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Here's To The Next Time, written by Henry Hall with words by Margery Lawrence, arranged for voice and piano.
Here's To The Next Time, written by Henry Hall with words by Margery Lawrence, arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
I Hear A Shepherd's Pigborn, from 'Two Songs Of The Welsh Mountains', written by WS Gwynn Williams and arranged for voice and piano.
I Hear A Shepherd's Pigborn, from 'Two Songs Of The Welsh Mountains', written by WS Gwynn Williams and arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
It's The Ring Your Mother Wore, written by Norman Allen and arranged for voice and piano.
It's The Ring Your Mother Wore, written by Norman Allen and arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
My Little Welsh Home, from 'Two Songs Of The Welsh Mountains', written by WS Gwynn Williams and arranged for voice and piano.
My Little Welsh Home, from 'Two Songs Of The Welsh Mountains', written by WS Gwynn Williams and arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Time And Again, written by Noel Coward and arranged for voice and piano.
Time And Again, written by Noel Coward and arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
I'll Follow My Secret Heart, written by Noel Coward, taken from 'Conversation Piece', arranged for voice and piano.
I'll Follow My Secret Heart, written by Noel Coward, taken from 'Conversation Piece', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
I'd Rather Charleston, written by George Gershwin with words by Desmond Carter, from the musical comedy 'Lady Be Good!', arranged for voice and piano.
I'd Rather Charleston, written by George Gershwin with words by Desmond Carter, from the musical comedy 'Lady Be Good!', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
In The Rain, written by George Gershwin with words by Clifford Grey, from 'The Rainbow', arranged for voice and piano.
In The Rain, written by George Gershwin with words by Clifford Grey, from 'The Rainbow', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Innocent Lonesome Blue Baby, written by George Gershwin and William Daly with words by Clifford Grey and Brian Hooker, from 'The Rainbow', arranged for voice and piano.
Innocent Lonesome Blue Baby, written by George Gershwin and William Daly with words by Clifford Grey and Brian Hooker, from 'The Rainbow', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Isn't It Wonderful, written by George Gershwin with words by Desmond Carter and Ira Gershwin, from the musical comedy 'Primrose', arranged for voice and piano.
Isn't It Wonderful, written by George Gershwin with words by Desmond Carter and Ira Gershwin, from the musical comedy 'Primrose', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
It's A Great Little World, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Tip-Toes', arranged for voice and piano.
It's A Great Little World, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Tip-Toes', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
The Half Of It, Dearie, Blues, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Lady, Be Good!', arranged for voice and piano.
The Half Of It, Dearie, Blues, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Lady, Be Good!', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Argentina, written by George Gershwin with words by Buddy De Sylva, from 'George White's Scandals', arranged for voice and piano.
Argentina, written by George Gershwin with words by Buddy De Sylva, from 'George White's Scandals', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
At Half Past Seven, written by George Gershwin with words by Buddy De Sylva, from 'Nifties of 1923', arranged for voice and piano.
At Half Past Seven, written by George Gershwin with words by Buddy De Sylva, from 'Nifties of 1923', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Beautiful Gypsy, written by George Gershwin with words by Ira Gershwin, from 'Rosalie', arranged for voice and piano.
Beautiful Gypsy, written by George Gershwin with words by Ira Gershwin, from 'Rosalie', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Because, Because, written by George Gershwin with words by Ira Gershwin, from 'Of Thee I Sing', arranged for voice and piano.
Because, Because, written by George Gershwin with words by Ira Gershwin, from 'Of Thee I Sing', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Blue, Blue, Blue, written by George Gershwin with words by Ira Gershwin, from 'Let 'Em Eat Cake', arranged for voice and piano.
Blue, Blue, Blue, written by George Gershwin with words by Ira Gershwin, from 'Let 'Em Eat Cake', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Cinderelatives, written by George Gershwin with words by Buddy De Sylva, arranged for voice and piano.
Cinderelatives, written by George Gershwin with words by Buddy De Sylva, arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Do What You Do! written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.
Do What You Do! written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Drifting Along With The Tide, written by George Gershwin with words by Arthur Jackson, from 'George White's Scandals', arranged for voice and piano.
Drifting Along With The Tide, written by George Gershwin with words by Arthur Jackson, from 'George White's Scandals', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Feeling I'm Falling, written by George Gershwin with words by Ira Gershwin, from 'Treasure Girl', arranged for voice and piano.
Feeling I'm Falling, written by George Gershwin with words by Ira Gershwin, from 'Treasure Girl', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Feeling Sentimental, written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.
Feeling Sentimental, written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
From Now On, written by George Gershwin with words by Arthur Jackson and Buddy DeSylva, from 'La La Lucille', arranged for voice and piano.
From Now On, written by George Gershwin with words by Arthur Jackson and Buddy DeSylva, from 'La La Lucille', arranged for voice and piano.
- Gesang und Klavier
- Noten Download
- Faber Music
-
-
sofort verfügbar
Download sofort nach Bestellung - Sofortdownload
Entdecken Sie die Welt der Vokalmusik – Noten für jede Stimme
Die Stimme: Das persönlichste Instrument
Gesang ist die ursprünglichste Form des Musizierens und berührt uns unmittelbar. Keine andere Kunstform kann Emotionen so direkt transportieren. Das Repertoire ist schier grenzenlos und reicht von klassischen Kunstliedern und Opernarien über Swing-Klassiker und Jazz-Standards bis hin zu den größten Hits aus Pop, Rock und Musical. Bedeutende Verlage wie Hal Leonard, Bärenreiter oder Schott Music bieten hierfür eine unglaubliche Fülle an hochwertigen Ausgaben, die Sängerinnen und Sänger weltweit inspirieren.Schon seit jeher hat der Mensch seine Stimme zur Kommunikation genutzt, nicht nur zum Sprechen, sondern darüber hinaus für die unterschiedlichsten Funktionen: Seien es Lautsilben-Rufe („Juchitzer“ oder „Juchzer“) in den Bergen, um über weite Entfernungen hinweg Informationen auszutauschen oder Viehherden zu rufen (damit verknüpft kennen wird das „Jodeln“), seien es rituelle Gesänge oder Mantren, die heilige Zeremonien begleiten, seien es nicht enden wollende rhythmische Lieder, die in der Gruppe die Feldarbeit erleichtern, seien es die Minnegesänge des Mittelalters, mit Hilfe derer in einer Art ritterlichen Wettkampfes um die Gunst der Adelsdamen geworben wurde (gewagt vergleichbar vielleicht mit den Werbungstänzen von beipielsweise Paradiesvögeln) – das Bedürfnis, sich über die Sprache hinaus tonal auszudrücken steckt wohl seit der Geburt in uns und kann die vielfältigsten Formen annehmen. Es ist kaum vorstellbar, dass man im Laufe seines Lebens nicht mit Gesang in Berührung gekommen ist oder selbst gesungen hat; vom einfachen Schlaflied über Kinderlieder, bis hin zu Kirchenliedern.