Noten für Gesang: Finden Sie Ihre Stimme
- Gesang (tief) und Klavier
- Klavierpartitur
- Richard Birnbach Musikverlag
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Chamisso, Texte
- Gesang (tief) und Klavier
- Klavierpartitur
- Richard Birnbach Musikverlag
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Lieferzeit 4-8 Arbeitstage
LILIENCRON, DETLEF VON, TEXT
- Gesang (tief) und Klavier
- Noten
- Richard Birnbach Musikverlag
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Lieferzeit 4-8 Arbeitstage
- Gesang (tief) und Klavier
- Klavierpartitur
- Richard Birnbach Musikverlag
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Lieferzeit 4-8 Arbeitstage
Settings of nine poems by Irene Noel-Baker which take and transform elements of Greek myths. The piece shifts from the mythological past to the present, just as the medium of voice and guitar suggest...
Settings of nine poems by Irene Noel-Baker which take and transform elements of Greek myths. The piece shifts from the mythological past to the present, just as the medium of voice and guitar suggest...
- Gesang (tief) und Gitarre
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- Oxford University Press
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To a text from Seeing the World, a book of poety by Dick Davies.
To a text from Seeing the World, a book of poety by Dick Davies.
- Gesang (tief) und Klavier
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- Oxford University Press
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Comprising 4 separate 'Lamentations', this work for bass voice and theorbo takes its text from John Donne's The Lamentations of Jeremy, and is set in Howard Skempton's characteristic pared-down style.
Comprising 4 separate 'Lamentations', this work for bass voice and theorbo takes its text from John Donne's The Lamentations of Jeremy, and is set in Howard Skempton's characteristic pared-down style.
- Gesang (tief) und Theorbe
- Partitur
- Oxford University Press
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Lieferzeit 1-2 Wochen
An easy anthem for low voice and piano or organ, this piece has a haunting simplicity with a flowing tune over a gently rocking accompaniment. Also available in a version for solo high voice.
An easy anthem for low voice and piano or organ, this piece has a haunting simplicity with a flowing tune over a gently rocking accompaniment. Also available in a version for solo high voice.
- Gesang (tief) und Klavier
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- Oxford University Press
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Arranged here for solo low voice and piano or organ, this lyrical setting of a text by Colin Coppen has an elegant melody and flowing piano accompaniment. It would make a charming addition to any conc...
Arranged here for solo low voice and piano or organ, this lyrical setting of a text by Colin Coppen has an elegant melody and flowing piano accompaniment. It would make a charming addition to any conc...
- Gesang (tief) und Klavier
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- Oxford University Press
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Scored for low voice and piano or organ, this setting of a Jewish text is simple but uplifting, and well-supported by a flowing keyboard accompaniment. Also available in a version for solo high voice.
Scored for low voice and piano or organ, this setting of a Jewish text is simple but uplifting, and well-supported by a flowing keyboard accompaniment. Also available in a version for solo high voice.
- Gesang (tief) und Klavier
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- Oxford University Press
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Taken from Sanctum, a setting of the Requiem text for upper voices, 'Lux aeterna' features a simple and gentle melody, supported by a new piano part in this arrangement for solo voice. Also available...
Taken from Sanctum, a setting of the Requiem text for upper voices, 'Lux aeterna' features a simple and gentle melody, supported by a new piano part in this arrangement for solo voice. Also available...
- Gesang (tief) und Klavier
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- Oxford University Press
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This popular traditional French carol tells of the milkmaids Jeanette and Isabella, who run to tell the shepherds to come and see the baby Jesus in the stable.
This popular traditional French carol tells of the milkmaids Jeanette and Isabella, who run to tell the shepherds to come and see the baby Jesus in the stable.
- Gesang (tief) und Klavier
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- Oxford University Press
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This charming traditional Catalan carol is full of natural imagery exploring the return of spring. With both English and Catalan text, Wilberg's arrangement is scored for low voice and piano, captures...
This charming traditional Catalan carol is full of natural imagery exploring the return of spring. With both English and Catalan text, Wilberg's arrangement is scored for low voice and piano, captures...
- Gesang (tief) und Klavier
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- Oxford University Press
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Scored for low voice and piano, Wilberg's arrangement of this popular carol is bright and lively, supported by a tinkling piano accompaniment. Also available in a version for high voice and piano.
Scored for low voice and piano, Wilberg's arrangement of this popular carol is bright and lively, supported by a tinkling piano accompaniment. Also available in a version for high voice and piano.
- Gesang (tief) und Klavier
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- Oxford University Press
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Scored for low voice and piano, Wilberg's arrangement of this traditional Basque carol is gentle yet charming, with expressive suspsensions in the supportive piano accompaniment. Also available in a v...
Scored for low voice and piano, Wilberg's arrangement of this traditional Basque carol is gentle yet charming, with expressive suspsensions in the supportive piano accompaniment. Also available in a v...
- Gesang (tief) und Klavier
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- Oxford University Press
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Scored for low voice and piano, Wilberg's arrangement of this familiar traditional melody is gentle and lilting, supported by rich harmonies and a mellifluous piano part. Also available in a version f...
Scored for low voice and piano, Wilberg's arrangement of this familiar traditional melody is gentle and lilting, supported by rich harmonies and a mellifluous piano part. Also available in a version f...
- Gesang (tief) und Klavier
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- Oxford University Press
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Rutter's music captures the varied moods of Shakespeare's words, with their rapture, sorrow, humour, and vitality, in a way that makes these classic madrigal texts come alive for contemporary audience...
Rutter's music captures the varied moods of Shakespeare's words, with their rapture, sorrow, humour, and vitality, in a way that makes these classic madrigal texts come alive for contemporary audience...
- Gesang (tief) und Klavier
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- Oxford University Press
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- Gesang (tief) und Klavier
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- Oxford University Press
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Rebecca Dale's reimagining of César Franck's Panis Angelicus was commissioned for the second instalment of Sonoro's Choral Inspirations project. Dale has drawn upon the harmonic framework of the origi...
Rebecca Dale's reimagining of César Franck's Panis Angelicus was commissioned for the second instalment of Sonoro's Choral Inspirations project. Dale has drawn upon the harmonic framework of the origi...
- Gesang (tief) und Klavier
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- Oxford University Press
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In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure.
In this compelling motet for the Feast of the Holy Trinity, Handl artfully embodies symbolism of the Trinity within the motet's structure.
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- Oxford University Press
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A setting of haunting lyrical simplicity. An SATB version is also available. The accompaniment for strings is available on hire.
A setting of haunting lyrical simplicity. An SATB version is also available. The accompaniment for strings is available on hire.
- Gesang (tief) und Klavier
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- Oxford University Press
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- Gesang (tief) und Klavier
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- Oxford University Press
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Orchestral material is available on hire. No. 2 of Two Hymns of Praise
Orchestral material is available on hire. No. 2 of Two Hymns of Praise
- Gesang (tief) und Klavier
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- Oxford University Press
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This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....
This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....
- Gesang (tief) und Klavier
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- Oxford University Press
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Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.
Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.
- Gesang (tief) und Klavier
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- Oxford University Press
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Entdecken Sie die Welt der Vokalmusik – Noten für jede Stimme
Die Stimme: Das persönlichste Instrument
Gesang ist die ursprünglichste Form des Musizierens und berührt uns unmittelbar. Keine andere Kunstform kann Emotionen so direkt transportieren. Das Repertoire ist schier grenzenlos und reicht von klassischen Kunstliedern und Opernarien über Swing-Klassiker und Jazz-Standards bis hin zu den größten Hits aus Pop, Rock und Musical. Bedeutende Verlage wie Hal Leonard, Bärenreiter oder Schott Music bieten hierfür eine unglaubliche Fülle an hochwertigen Ausgaben, die Sängerinnen und Sänger weltweit inspirieren.Schon seit jeher hat der Mensch seine Stimme zur Kommunikation genutzt, nicht nur zum Sprechen, sondern darüber hinaus für die unterschiedlichsten Funktionen: Seien es Lautsilben-Rufe („Juchitzer“ oder „Juchzer“) in den Bergen, um über weite Entfernungen hinweg Informationen auszutauschen oder Viehherden zu rufen (damit verknüpft kennen wird das „Jodeln“), seien es rituelle Gesänge oder Mantren, die heilige Zeremonien begleiten, seien es nicht enden wollende rhythmische Lieder, die in der Gruppe die Feldarbeit erleichtern, seien es die Minnegesänge des Mittelalters, mit Hilfe derer in einer Art ritterlichen Wettkampfes um die Gunst der Adelsdamen geworben wurde (gewagt vergleichbar vielleicht mit den Werbungstänzen von beipielsweise Paradiesvögeln) – das Bedürfnis, sich über die Sprache hinaus tonal auszudrücken steckt wohl seit der Geburt in uns und kann die vielfältigsten Formen annehmen. Es ist kaum vorstellbar, dass man im Laufe seines Lebens nicht mit Gesang in Berührung gekommen ist oder selbst gesungen hat; vom einfachen Schlaflied über Kinderlieder, bis hin zu Kirchenliedern.