Noten für Gesang: Finden Sie Ihre Stimme
42 songs, including: All Good Gifts - Alone at the Drive-In Movie - Anthem - The Apple Tree (Forbidden Fruit) - Asking for You - At the Grand Hotel - Beautiful Girls - A Bit of Earth - Boyfor Sale - B...
42 songs, including: All Good Gifts - Alone at the Drive-In Movie - Anthem - The Apple Tree (Forbidden Fruit) - Asking for You - At the Grand Hotel - Beautiful Girls - A Bit of Earth - Boyfor Sale - B...
- Gesang (hoch)
- Noten
- Richard Walters
- Hal Leonard
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auf Lager
Lieferzeit 1-3 Arbeitstage - Mit leichten Gebrauchsspuren
Nach seinen großen Erfolgen in Berlin und Paris als Komponist von Schlagern und Filmmusik schrieb Walter Jurmann ab 1935 bei MGM in Hollywood für die Filmstars seiner Epoche. Er komponierte für Judy G...
Nach seinen großen Erfolgen in Berlin und Paris als Komponist von Schlagern und Filmmusik schrieb Walter Jurmann ab 1935 bei MGM in Hollywood für die Filmstars seiner Epoche. Er komponierte für Judy G...
- Gesang und Klavier
- Klavierpartitur
- Schott Musik
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auf Lager
Lieferzeit 1-3 Arbeitstage
And Her Mother Came Too! composed by Ivor Novello with words by Dion Titheradge from the film Gosford Park in the key of Eb Major arranged for voice and piano.
And Her Mother Came Too! composed by Ivor Novello with words by Dion Titheradge from the film Gosford Park in the key of Eb Major arranged for voice and piano.
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Valley Of Dreams from the Associated British Picture "It Happened One Sunday" composed by Harry Parr Davies with words by Phil Park in the key of Eb Major arranged for voice and piano.
Valley Of Dreams from the Associated British Picture "It Happened One Sunday" composed by Harry Parr Davies with words by Phil Park in the key of Eb Major arranged for voice and piano.
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At Your Service, Madame from the film Stars Over Broadway composed by Harry Warren with words by Al Dubin in the key of C Major arranged for voice and piano.
At Your Service, Madame from the film Stars Over Broadway composed by Harry Warren with words by Al Dubin in the key of C Major arranged for voice and piano.
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Awake In A Dream from the Paramount Picture "Desire" composed by Leo Robin and Frederick Hollander in the key of Bb Major arranged for voice and piano.
Awake In A Dream from the Paramount Picture "Desire" composed by Leo Robin and Frederick Hollander in the key of Bb Major arranged for voice and piano.
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For The First Hundred Years composed by Jimmy Van Heusen with words by Johnny Burke, from the Paramount Picture "And The Angels Sing" in the key of G Major arranged for voice and piano.
For The First Hundred Years composed by Jimmy Van Heusen with words by Johnny Burke, from the Paramount Picture "And The Angels Sing" in the key of G Major arranged for voice and piano.
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Knockin' On Your Own Front Door composed by Jimmy Van Heusen with words by Johnny Burke, from the Paramount Picture "And The Angels Sing" in the key of F Major arranged for voice and piano.
Knockin' On Your Own Front Door composed by Jimmy Van Heusen with words by Johnny Burke, from the Paramount Picture "And The Angels Sing" in the key of F Major arranged for voice and piano.
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Tangerine written by Victor Schertzinger with words by Johnny Mercer, arranged for voice and piano with ukulele chords.
Tangerine written by Victor Schertzinger with words by Johnny Mercer, arranged for voice and piano with ukulele chords.
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Thanks For The Memory written by Ralph Rainger with words by Leo Robin, arranged for voice and piano with ukulele chords.
Thanks For The Memory written by Ralph Rainger with words by Leo Robin, arranged for voice and piano with ukulele chords.
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Sam And Delilah written by George Gershwin with words by Ira Gershwin, as performed by Sarah Vaughan in the key of C Major arranged for voice and piano.
Sam And Delilah written by George Gershwin with words by Ira Gershwin, as performed by Sarah Vaughan in the key of C Major arranged for voice and piano.
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Blues In The Night (My Mama Done Tol' Me), written by Harold Arlen with words by Johnny Mercer, from the Warner Bros Picture 'Blues In The Night', arranged for voice and piano.
Blues In The Night (My Mama Done Tol' Me), written by Harold Arlen with words by Johnny Mercer, from the Warner Bros Picture 'Blues In The Night', arranged for voice and piano.
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I've Heard That Song Before, written by Jule Styne with words by Sammy Cahn, from the Republic Picture Youth On Parade, arranged for voice and piano.
I've Heard That Song Before, written by Jule Styne with words by Sammy Cahn, from the Republic Picture Youth On Parade, arranged for voice and piano.
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In The Still Of The Night, written by Cole Porter, arranged for voice and piano.
In The Still Of The Night, written by Cole Porter, arranged for voice and piano.
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I'll Build A Fence Around You, written by Billy Mayerl with words by Frank Eyton, arranged for voice and piano.
I'll Build A Fence Around You, written by Billy Mayerl with words by Frank Eyton, arranged for voice and piano.
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In The Mountains, written by Billy Mayerl and Leslie Sarony, arranged for voice and piano.
In The Mountains, written by Billy Mayerl and Leslie Sarony, arranged for voice and piano.
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Keep It Snappy, written by Billy Mayerl and Gee Paul, arranged for voice and piano.
Keep It Snappy, written by Billy Mayerl and Gee Paul, arranged for voice and piano.
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Love's Lottery, written by Billy Mayerl with words by Gee Paul, arranged for voice and piano.
Love's Lottery, written by Billy Mayerl with words by Gee Paul, arranged for voice and piano.
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Make Hey! While The Moon Shines, written by Billy Mayerl with words by Frank Eyton, arranged for voice and piano.
Make Hey! While The Moon Shines, written by Billy Mayerl with words by Frank Eyton, arranged for voice and piano.
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The Lord Is My Shepherd by Howard Goodall is best known as the memorable theme from the award-winning BBC comedy TV series The Vicar of Dibley. Arranged for piano and voice, this setting of Psalm 23 i...
The Lord Is My Shepherd by Howard Goodall is best known as the memorable theme from the award-winning BBC comedy TV series The Vicar of Dibley. Arranged for piano and voice, this setting of Psalm 23 i...
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Why Not Madam?, written by Billy Mayerl with words by Frank Eyton, from the film 'Honeymoon For Three', arranged for voice and piano.
Why Not Madam?, written by Billy Mayerl with words by Frank Eyton, from the film 'Honeymoon For Three', arranged for voice and piano.
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You Brought A New Kind Of Love To Me, written by Sammy Fain, Irving Kahal and Pierre Norman, from the Paramount Picture 'The Big Pond', arranged for voice and piano.
You Brought A New Kind Of Love To Me, written by Sammy Fain, Irving Kahal and Pierre Norman, from the Paramount Picture 'The Big Pond', arranged for voice and piano.
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You Don't Have To Know The Language, written by James Van Heusen with words by Johnny Burke, as sung by Bing Crosby and the Andrews Sisters in the Paramount Picture 'Road To Rio', arranged for voice a...
You Don't Have To Know The Language, written by James Van Heusen with words by Johnny Burke, as sung by Bing Crosby and the Andrews Sisters in the Paramount Picture 'Road To Rio', arranged for voice a...
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That Was The Week That Was, written by Ron Grainer with words by Caryl Brahms and Ned Sherrin, as used in the BBC Television Production recorded by Millicent Martin, arranged for voice and piano.
That Was The Week That Was, written by Ron Grainer with words by Caryl Brahms and Ned Sherrin, as used in the BBC Television Production recorded by Millicent Martin, arranged for voice and piano.
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Summer Love, written by Victor Young with words by Buddy Arnold and Milton Berle, from the Motion Picture 'The Star', arranged for voice and piano.
Summer Love, written by Victor Young with words by Buddy Arnold and Milton Berle, from the Motion Picture 'The Star', arranged for voice and piano.
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Entdecken Sie die Welt der Vokalmusik – Noten für jede Stimme
Die Stimme: Das persönlichste Instrument
Gesang ist die ursprünglichste Form des Musizierens und berührt uns unmittelbar. Keine andere Kunstform kann Emotionen so direkt transportieren. Das Repertoire ist schier grenzenlos und reicht von klassischen Kunstliedern und Opernarien über Swing-Klassiker und Jazz-Standards bis hin zu den größten Hits aus Pop, Rock und Musical. Bedeutende Verlage wie Hal Leonard, Bärenreiter oder Schott Music bieten hierfür eine unglaubliche Fülle an hochwertigen Ausgaben, die Sängerinnen und Sänger weltweit inspirieren.Schon seit jeher hat der Mensch seine Stimme zur Kommunikation genutzt, nicht nur zum Sprechen, sondern darüber hinaus für die unterschiedlichsten Funktionen: Seien es Lautsilben-Rufe („Juchitzer“ oder „Juchzer“) in den Bergen, um über weite Entfernungen hinweg Informationen auszutauschen oder Viehherden zu rufen (damit verknüpft kennen wird das „Jodeln“), seien es rituelle Gesänge oder Mantren, die heilige Zeremonien begleiten, seien es nicht enden wollende rhythmische Lieder, die in der Gruppe die Feldarbeit erleichtern, seien es die Minnegesänge des Mittelalters, mit Hilfe derer in einer Art ritterlichen Wettkampfes um die Gunst der Adelsdamen geworben wurde (gewagt vergleichbar vielleicht mit den Werbungstänzen von beipielsweise Paradiesvögeln) – das Bedürfnis, sich über die Sprache hinaus tonal auszudrücken steckt wohl seit der Geburt in uns und kann die vielfältigsten Formen annehmen. Es ist kaum vorstellbar, dass man im Laufe seines Lebens nicht mit Gesang in Berührung gekommen ist oder selbst gesungen hat; vom einfachen Schlaflied über Kinderlieder, bis hin zu Kirchenliedern.