Hal Leonard Jazz Noten

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Based on the classic version recorded by Clifford Brown, this chart opens with a frantic traffic jam effect before settling into a more relaxed uptempo swing style. The melody is first stated by a com...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...

Mark Taylor uses a mix of small group playing contrasted with full ensemble passages in this early composition from jazz master Wayne Shorter. After a solo section featuring alto sax then trombone, a...