Noten klassischer Komponistinnen

Beyond: further than. Further than the ordinary and the day to day, a journey into the imaginary. A music of passage, the passage from one state to another, from immobility to action, from inertia to...

Besetzung: Flöte, Klarinette, Horn, Klavier, E-Orgel, Violine, Viola, Cello, Kontrabass

Besetzung: Flöte, Klarinette, Horn, Klavier, E-Orgel, Violine, Viola, Cello, Kontrabass

Considered an homage to Brahms' Piano Quintet, Op. 34, Amy Beach's Quintet, Op. 67, was critically acclaimed upon reception and is now regarded as a milestone of American chamber literature.

Amy Marcy Beach (1867-1944) komponierte Thema und Variationen op. 80 im Jahr 1916. Auf das Thema in a-Moll folgen sechs Variationen. Abschnitte: Thema: Lento di molto, sempre espressivo; Variationen 1...

Die amerikanische Komponistin Ruth Crawford Seeger ist vor allem für ihren Anteil an der Entwicklung der modernistischen Ästhetik bekannt und wurde zu einer bedeutenden Vertreterin einer Gruppe amerik...

Hier ist eines, das viele Last-Minute-Arrangements ersparen dürfte! Enthält: Trumpet Tune (Purcell); Trumpet Voluntary (Clark); La Rejouissance; Prelude From Te Deum; Hornpipe From Water Music; Rondea...

For Counter-Tenor, Flute, Shakuhachi (or Alto Flute), Cello, 2 Pianos, Harp and Percussion. Published in 1996. Commissioned by Roger Woodward for the composer's 50th Birthday Concert in the Seventh...

Anne Boyd 's The Quiet Place for Oboe (doubling antique cymbals), Clarinet (doubling rin), Viola and Harp. The Quiet Place was commissioned by the Warwick and Leamington Festival for performance by Ok...

Dedicated to the memory of Peter Platt, written for Riley Lee and Marshall Maguire. First performance: Vale of Glenmorgan Festival, September 2002. Score and part.

For Viola and Percussion.

5'; for oboe d'amore, Viola and Harp. First published 2003. Written for for Jinny Shaw and Okeanos. First performance: Jinny Shaw and Okeanos, March 2003. Score and parts.

7'; for tenor recorder and string quartet First published in 2004. Written for Tony Gilbert's 70th birthday celebration First performance: John Turner, The Barbirolli Room, Bridgewater Hall, Mancheste...