Noten für Klavier, Orgel & Akkordeon

A perennial favourite from Pianoworks: A Night at the Theatre, this easy arrangement makes one of ballet's most famous melodies accessible to the developing pianist. Arranged by Janet & Alan Bullard.

A perennial favourite from Pianoworks: Popular Styles, this evocative piece uses crossing hands, pedal, and tempo change to mirror the sycamore seed delicately rising and falling in the breeze. Arrang...

A perennial favourite from Pianoworks: Collection 1, this easy yet effective arrangement of one of the most beautiful slow movements captures all the majesty of Mozart's original. Arranged by Janet &...

A tribute to health and care professionals, this lyrical ballad is inspired by the song 'Somewhere over the rainbow', and is for pianists of modest ability and of all ages.

Originally published in Jazz in Autumn, this is an energetic original piece with lively melodies and jazzy harmonies, and is sure to get listeners foot-tapping along to the music.

Originally published in Jazz in Autumn, this is a beautiful original waltz with swung quavers and lilting melodies.

From the collection Jazz in Springtime, 'May Song' is an arrangement of a popular folk tune by celebrated jazz pianist Nikki Iles. Introducing folk harmony while preserving the lyricism of the origina...

From the collection Jazz on a Summer's Day, 'Sundown' is a fun, loping jazz waltz. The laid-back swing is perfectly evocative of a summer's day, and makes an engaging addition to the repertoire of int...

This transcription of the Sarabande from the Cello Suite BWV 1008 featuring haunting suspensions was made by Leonard Borwich (1868-1925), who was a pupil of Clara Schumann. Offprinted from OUP's colle...

Bach's tenor aria from Canata No. 4 ('Christ lag in Todes Banden') is reworked and arranged here for piano by Gerald M. Cooper (1892-1947), featuring creative engagement with the original texture. Off...

This mellifluous arrangement of the tenor aria from Cantata No. 85 ('Seht, was die Liebe tut') by Hubert Foss (1899-1953), the first music editor at the Oxford University Press, features a delicate am...

Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...

Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...

This is a vibrant and varied choral cantata in five movements. Together the movements evoke a contemporary impression of London's sights, sounds, and moods. The music is irresistible, by turns contemp...

This is a new original setting of the well-known Christmas text. With a gentle melody, warm harmonies, and a graceful organ accompaniment, Infant Holy will make a moving feature in any mixed-voice cho...

This moving cantata draws on biblical texts associated with Sir Ernest Shackleton, his 1916 Antarctic Expedition, and Rupert Brooke. With lustrous harmonies and a poignant tenor solo, it offers choirs...

The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag and reflect u...

McDowall has skilfully united luscious harmonies with fresh melodies and crisp rhythms in this vibrant work. Divided into six movements, the Magnificat is ideal for SATB choirs seeking fresh and inspi...

A haunting and evocative piece, this short anthem is based on a traditional Gaelic prayer of remembrance. Uncluttered harmony and a simple, gentle melody colour this memorial service setting with a pa...

Fresh and unconventional, the setting includes witty references in the accompaniment to the music of Brahms, Offenbach, Tchaikovsky and other familiar tunes that allude to various gifts mentioned in t...

This inspiring and uplifting setting of a well-known text will appeal to all SATB choirs looking for fresh and accessible new repertoire for general church use.

The earth hath voice is a colourful and dramatic celebration of nature and its powerful and hypnotizing sounds, taking the listener on a captivating journey through the natural world with an array of...

This quiet and spacious miniature challenges the performer's ability to play within the lowest dynamic range of the piano. The gently sonorous opening bars return after a lightly animated central sect...

Setting Joseph Addison's text, Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir, brass and organ throughout, the pie...