Al Rose

An energetic dialogue anticipating the arrival of one's love Challenging, but fun piece for an experienced choir

Set to a portion of Shakespeare's Twelfth Night, Hungarian composer Gyorgy Orban creates a lush and colorful harmonic texture true to the beauty of the text, suitable for the advanced choir.

Hungarian composer Gyorgy Orban has a unique yet accessible harmonic language. Here, Orban gives us a colorful unaccompanied motet set to the evening canticle from Luke. Try it in a worship or concert...

This ancient liturgical text has been set many times. Here, Orban captures the 'fear and trembling' with freshness unlike any other. Try it in worship settings or as a festival work for high school vo...

Hungarian composer Gyorgy Organ has one of the most distinctive choral styles found in the last half century. A unique combination of chromatic lyricism and percussive rhythmic drive, Pange Lingua is...

For SATB Choir A Cappella.

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

The only vocal selection in our catalogue, this is a swinging blues arranged by Duke Ellington expert Dave Berger.

Beautiful, but fairly difficult, written for 2-part choir and keyboard

Taken from Mass No. 6, this advanced work for treble chorus and piano is typical of Orban's energetic rhythmic drive, it is a great piece for concert work!

Beneath the cross of Jesus, the path before the crown, we follow in His footsteps where promised hope is found. Using the inspired, contemporary hymn by Keith and Kristyn Getty, Fettke creates a treme...

Vokalpartitur - Soli und Orchester

This Keith Getty and Stuart Townend song is useful anytime of the year and especially for Pentecost Sunday. Lloyd Larson's masterful setting features an elegant piano accompaniment and optional cello...

This powerful hymn from Keith Getty and Stuart Townend is driven with both energy and with a text about the mission of Church: 'By faith we see the hand of God, ' 'By faith the prophets saw a day when...

This powerful hymn from Keith Getty and Stuart Townend is driven with both energy and with a text about the mission of Church: 'By faith we see the hand of God, ' 'By faith the prophets saw a day when...

This powerful hymn from Keith Getty and Stuart Townend is driven with both energy and with a text about the mission of Church: 'By faith we see the hand of God, ' 'By faith the prophets saw a day when...

This dynamic hymn setting calls for the church of Christ, both young and old, to rejoice in the risen King. A verse of the Charles Wesley hymn 'Rejoice, the Lord Is King!' is seamlessly woven into the...

This dynamic hymn setting calls for the church of Christ, both young and old, to rejoice in the risen King. A verse of the Charles Wesley hymn 'Rejoice, the Lord Is King!' is seamlessly woven into the...

Originally, this appeared in Joel Raney and Lloyd Larson's best-selling Lenten cantata, 'Hope in the Shadows, ' code no. 8801. This medley pairs the popular Keith Getty song with the praise chorus, 'C...

Originally, this appeared in Joel Raney and Lloyd Larson's best-selling Lenten cantata, 'Hope in the Shadows, ' code no. 8801. This medley pairs the popular Keith Getty song with the praise chorus, 'C...

Song for Unison Voices and Piano. Arranged by Mary Sanders.

A Song of Thanksgiving for Unison Choir, Soloist or Congregation, with Pian