Alexander Jemnitz

This setting of a 17th century anonymous text that describes a woman's love leaving her and her insistence that he will return, is written for SA chorus with either a flute/recorder and guitar accompa...

Diese Vertonung eines Textes von D. Dinand ist für SA-Chor mit Klavierbegleitung.

Written for SSA choir with flute and 2 clarinets as accompaniment. Instrumentalists play from choral part.

An arrangement for SSA choir of text by James Boulton to an old Welsh air.

An arrangement for SSA choir of text by W. Douglas (after "To Celia" by Ben Jonson) to an old English air.

Adoratio de parte altera Cantici Canticorum Solomonis (Adoration from the Second Book of the Song of Solomon) is written for 21 voices a capella (6 Sopranos, 5 Altos, 5 Tenors, 5 Basses [or larger Cho...

Written for SATB chorus with organ and electronic piano. Commissioned by and dedicated to the Music Department of Public Schools, Fond du Lac, Wisconsin. Choral score.

Written for SATB chorus, a capella.

Written for SATB chorus with organ and electronic piano. Commissioned by and dedicated to the Music Department of Public Schools, Fond du Lac, Wisconsin. Conductor score and accompaniment part.

Based on Predude I from THE WELL-TEMPERED CLAVIER.

Die ersten drei Sätze aus 'Fünf Klavierstücke' mit einem vierten Satz aus der vierhändigen Klavierversion der Ouvertüre im Italienischen Stil in C. Das klassische Bläseroktett aus jeweils zwei Oboen,...

Composed for and dedicated to Dan Culpepper. Instrumentation: Horn (or Tuba), 2 Flutes (2nd doubles Piccolo), Oboe, English Horn, 2 Bassoons, 2 Clarinets, 2 Trumpets, Trombone, Harp, Double Bass, 3 Pe...

Composed for and dedicated to Dan Culpepper. Instrumentation: Horn (or Tuba), 2 Flutes (2nd doubles Piccolo), Oboe, English Horn, 2 Bassoons, 2 Clarinets, 2 Trumpets, Trombone, Harp, Double Bass, 3 Pe...