Alexander Shealy

The first performance of 'The Bearded Lady' was given by Nicholas Daniel (oboe) and Julius Drake (piano) in the Wigmore Hall, London, on 20 October 1994.

Mein 3. Streichquartett besteht aus sechs kontrastierenden Sätzen. Bestimmte musikalische Figuren kehren im gesamten Werk wieder, aber es gibt nur wenige Themen als solche. Das Hauptaugenmerk liegt au...

You can hear the genius of Mahler's string writing in this accessible arrangement of the second movement of his 'Resurrection' symphony. Staying true to the original orchestration, your students will...

You can hear the genius of Mahler's string writing in this accessible arrangement of the second movement of his 'Resurrection' symphony. Staying true to the original orchestration, your students will...

You can hear the genius of Mahler's string writing in this accessible arrangement of the second movement of his 'Resurrection' symphony. Staying true to the original orchestration, your students will...

You can hear the genius of Mahler's string writing in this accessible arrangement of the second movement of his 'Resurrection' symphony. Staying true to the original orchestration, your students will...

Now, not just for piano players! String players can also have the experience of playing this elegant and gorgeous piece. Written in 34 instead of the original 68 and with easy written-out ornaments, t...

Now, not just for piano players! String players can also have the experience of playing this elegant and gorgeous piece. Written in 34 instead of the original 68 and with easy written-out ornaments, t...

Now, not just for piano players! String players can also have the experience of playing this elegant and gorgeous piece. Written in 3/4 instead of the original 6/8 and with easy written-out ornaments,...

Now, not just for piano players! String players can also have the experience of playing this elegant and gorgeous piece. Written in 34 instead of the original 68 and with easy written-out ornaments, t...

Though originally written for full orchestra, with a majestic processional opening and a sentimental and beautiful slower middle section, this arrangement lies so well for strings it makes it sound li...

Though originally written for full orchestra, with a majestic processional opening and a sentimental and beautiful slower middle section, this arrangement lies so well for strings it makes it sound li...

Though originally written for full orchestra, with a majestic processional opening and a sentimental and beautiful slower middle section, this arrangement lies so well for strings it makes it sound li...

Though originally written for full orchestra, with a majestic processional opening and a sentimental and beautiful slower middle section, this arrangement lies so well for strings it makes it sound li...