Alfons de Meulder

10 magical songs to make you really smile.

A show-stopping Christmas musical for KS2

Jack's in his box... but wishes he could pop up and pop out to play with Tilly. Strange and wonderful things happen when his wish comes true!

14 fun songs by Ali Dee for singing at key points in the school day, to bring the children together, to focus their attention or to help them achieve a task or celebrate their achievements. Suitable f...

The usual characters... a familiar story... but told from a very unusual perspective! The Nativity as you've never sung it before

All the color and light and spectacle of the 70s are distilled into this masterpiece of the era! A top ten hit for Earth, Wind & Fire in 1979, this selection will be a perfect opening for pop and show...

All the color and light and spectacle of the 70s are distilled into this masterpiece of the era! A top ten hit for Earth, Wind & Fire in 1979, this selection will be a perfect opening for pop and show...

All the color and light and spectacle of the 70s are distilled into this masterpiece of the era! A top ten hit for Earth, Wind & Fire in 1979, this selection will be a perfect opening for pop and show...

All the color and light and spectacle of the 70s are distilled into this masterpiece of the era! A top ten hit for Earth, Wind & Fire in 1979, this selection will be a perfect opening for pop and show...

McGlade's tender piece is full or arching phrases that swell and fade with the emotion of Rosetti's text. The carefully crafted cello part interacts with and responds to the choir without ever losing...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

This setting of A spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

This setting of A Spotless Rose reflects the wintry starkness of the fifteenth-century text through its minor key and bare upper-voice opening, while the warmth of the full voicing on the words 'light...

McGlade's setting of 'The Call' by George Herbert is simple but effective, reflecting the directness of the original poem. The three-bar phrases create a feeling of expectancy throughout the verses, a...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

My song is love unknown is an expressive and fluid setting of the well-known Lenten text by Samuel Crossman. McGlade highlights the phrase 'take frail flesh and die' with a sighing musical motif, befo...

My song is love unknown is an expressive and fluid setting of the well-known Lenten text by Samuel Crossman. McGlade highlights the phrase 'take frail flesh and die' with a sighing musical motif, befo...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

This setting of Edward Caswall's well-known text shows all the hallmarks of McGlade's characteristic style, with changing time signatures, beguiling chromaticisms, and a beautiful, fluid melody. Chang...

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex central section with fluctuating time signatures and shifting tonalities. Ideal for advanced mixed-voi...

Setting Revelation 21: 1-5, this short anthem is in McGlade's typically fluid style, with harmonic twists, changing metres, and tempo fluctuations. With some divisi in the upper parts, it will be part...