Antonín Dvořák

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...