Antonio Lotti

This is the 8-part setting of Antonio Lotti's (1667-1740) motet from the Nicene Creed. The homogenous nature of the clarinet choir (6 clarinets and 2 bass clarinets) is perfect for conveying the tensi...

Antonio Lotti originally composed this Miserere Mei around 1730, scored for four voices. Frequently only performed as the opening 27 measures, the entire work has been arranged here for low flute quar...

Der sächsische Kurprinz Friedrich August (1696-1763) hielt sich vom Februar 1716 bis Juli 1717 während seiner 'Grand Tour' in Venedig auf. Während dieser Zeit verpflichtete er zahlreiche Musiker und K...

Beautifully austere late Italian Renaissance music for trombone trio or choir.

The classic Biblical text Surely He has borne our griefs was set by Antonio Lotti. In this edition, Thomas Juneau provides a new English translation and other editorial helps.

From the final portion from the Gloria of Lotti's Studentenmesse, this is a beautiful example of his use of imitation and makes an excellent choice for contest or festival. Discovery Level 2. Availabl...

Arrangment for SATB Choir A Cappella by R. Baldwin.

Einer über 1000 Jahre alten Tradition folgend verspricht sich die Stadt Venedig dem adriatischen Meer jedes Jahr am Himmelfahrtstag (venezianisch Sensa) aufs Neue als Braut. Die symbolische Zeremonie...

Lotti / ed. Kjelson

Lotti / ed. Kjelson

For SATB, a cappella

Agnus Dei - S.A.T.B., a cappella

This anthem is the final portion of a 'Gloria' taken from one of Lotti's masses, and is a lovely example of his use of imitation. It's scored a cappella, but instruments could easily and effectively d...

Männerchor - TTB Renaissance/Barock

Extracting two movements from the Baroque composer, Antonio Lotti's Requiem Mass, here are two authentic, Baroque anthems for treble choir. Intended to be performed as a pair, a piano accompaniment is...