Benjamin Britten

The Larky Lad, taken from 'Who Are These Children?' written by Benjamin Britten with words by William Soutar. Arranged for tenor voice and piano accompaniment in digital sheet music format.

Tradition, one of the three additional settings taken from 'Who Are These Children?' written by Benjamin Britten with words by William Soutar. Arranged for tenor voice and piano accompaniment in digit...

Sacred and Profane consists of eight settings for unaccompanied voices of lyrics from RT Davis' collection of Medieval English lyrics, composed early in 1975 for Peter Pears and the Wilbye Consort of...

A dramatic work of considerable substance, from which individual movements may be performed separately as anthems or concert works. The work sets a variety of texts from authors as varied as John Rusk...

Diese Oper ist der letzte Teil von Let's Make an Opera, einem Unterhaltungsstück für junge Leute. Der erste Teil von Let's make an Opera hat die Form eines Schauspiels, das die Vorbereitungen und Prob...

Diese 15-minütige Chor-Suite von Lee Kesselman basiert auf Benjamin Brittens Oper 'A Midsummer Night's Dream' (op. 64). Kesselman hat sich dabei eng an Brittens Originalpartitur gehalten und nur klein...

Curlew River - A Parable for Church Performance (Op. 71) is the first of three Church Parables by Benjamin Britten. The work is based on the Japanese Noh play Sumidagawa (Sumida River) of Juro Motomas...

Britten's last completed work, written for young people's chorus and orchestra, is in five short sections: March, Roundel and Canon for orchestra and choir, and Jig and Modulation for orchestra alone.

Ursprünglich komponiert, um die verschiedenen Instrumente eines Orchesters vorzustellen, folgt Benjamin Brittens A Young Person's Guide to the Orchestra einer Folge von Variationen über eine Melodie v...

Bearbeitung aus dem Jahr 1957 von einem Lied aus Brittens Oper 'Gloriana' von 1953. Sie wurde von Peter Pears und Julian Bream eingespielt und oft in ihren Konzertprogrammen aufgenommen. Dieses exquis...