Birger Sulsbrueck

Entnommen aus der g-moll-Suite für Cembalo entwickelt sich diese Bearbeitung - bei gleichbleibender Bass- und Harmoniefolge - aus einstimmigem Anfang über verschiedene Variationen, in denen abwechseln...

AMUN-RA für Flöte, OKTOPUS op. 29 Nr. 2 und 5 Amun-Ra und Oktopus gehören zum Zyklus der Erotogramme von Frank Michael. Beide sind vollgültige Kompositionen. Wird das Solostück gespielt, heißt es Amun...

Die kurze Blütezeit der Kirschbäume symbolisiert in idealer Weise Schönheit und Vergänglichkeit. Der Komponist verbindet in diesem Werk traditionelle japanische Musik unter Verwendung des berühmten SA...

Muzio Clementi, who was rather more magnanimous in his praise of Mozart than Mozart was of him - 'Until then I had never heard anyone perform with such grace and elegance' - towards the end of his lif...

From the start, the size and nature of the scoring of Mozart's Serenade for 12 Winds and Contrabass K. 361 (conventionally called either Serenade for 13 Winds or Gran Partita) and the unusual length o...

Includes two 'mystery' pieces - the last discovery this Mozart year! In the short period between Mozart's death and the end of the 18th century, it was quickly discovered that he had not left enough s...

Anton Eberl, nine years younger than Mozart, also began life as a prodigy, and became a friend of Mozart and probably also a pupil; his compositions show such an acquaintance with Mozart's style that...

The Grande Sonate Charactéristique in F minor was published between Eberl's visits to Russia, and dedicated to Haydn, possibly in gratitude for his reported praise of Eberl's opera Die Königin der sch...

Streicherstimmensatz - 4 Violinen I, 3 Violinen II, 2 Violen/Celli, 1 Kontrabass