Brian Auger

Revidierte Ausgabe von Julius Röntgen.

Röntgen-Ausgabe

Uses: General, Communion, Holy Week, Good Friday Scripture: Psalm 18:3: Revelation 4:11: Revelation 5:12 From the treasury of Baroque literature comes a sacred adaptation of a J. S. Bach masterwork. B...

This transcription of the Sarabande from the Cello Suite BWV 1008 featuring haunting suspensions was made by Leonard Borwich (1868-1925), who was a pupil of Clara Schumann. Offprinted from OUP's colle...

Bach's tenor aria from Canata No. 4 ('Christ lag in Todes Banden') is reworked and arranged here for piano by Gerald M. Cooper (1892-1947), featuring creative engagement with the original texture. Off...

This mellifluous arrangement of the tenor aria from Cantata No. 85 ('Seht, was die Liebe tut') by Hubert Foss (1899-1953), the first music editor at the Oxford University Press, features a delicate am...

Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...

Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this magnificent fugue is popularly credited to J. S. Bach, though some eighteenth-century sources ascribe it to his pupil Jo...

This work was awarded the British Composer Award for Liturgical Music in 2003, but is published for the first time in 2013. The Roman Catholic Liturgy includes an antiphon to the Magnificat at Vespers...

This reminiscent piece, originally from Three Children's Songs, has been arranged for mixed choir and suits a spring-time programme. Offprinted from Vaughan Williams for Choirs 2.

The music and style of d'Este's compositions are skilful in the art of polyphonic writing and the beautiful Sicut lilium inter spinas, written for five voices, is a fine example of this style.

Here Helvey has created a beautiful musical landscape for George Herbert's tender poem 'Virtue'. Each verse begins with a modal-sounding unison figure which flowers into expressive harmonies built on...