Carl Loewe

Sam Smith's cover of Love Is A Losing Game, originally by Amy Winehouse, taken from the specially re-released version of his début album In The Lonely Hour (Drowning Shadows Edition). Arranged for pia...

Cherry, as recorded by Amy Winehouse, taken from her debut album 'Frank', arranged for voice and piano with guitar chords.

Fuck Me Pumps, as recorded by Amy Winehouse, taken from her debut album 'Frank', arranged for voice and piano with guitar chords.

There Is No Greater Love, as recorded by Amy Winehouse, taken from her debut album 'Frank', arranged for voice and piano with guitar chords.

You Sent Me Flying, as recorded by Amy Winehouse, taken from her debut album 'Frank', arranged for voice and piano with guitar chords.

Stronger Than Me, as recorded by Amy Winehouse. Arranged for piano and voice with guitar chords in digital sheet music format.

Back To Black, as recorded by Amy Winehouse. Arranged for piano and voice with guitar chords in digital sheet music format.

Some Unholy War, as recorded by Amy Winehouse. Arranged for piano and voice with guitar chords in digital sheet music format.

Artist-Approved sheet music to Rehab by Amy Winehouse, arranged for piano and voice with guitar chords.

Rehab, as recorded by Amy Winehouse. Arranged for piano and voice with guitar chords in digital sheet music format.

Schlager-Klassiker von von Rudi Schuricke. Weitere Chorpartituren auf Anfrage lieferbar.

Schlager-Klassiker von von Rudi Schuricke.

Zum 60. Geburtstag des berühmten Geigers André Rieu bieten wir Ihnen hier eine Blasorchesteradaption von Rieus erstem großen Erfolg an: den Waltz No. 2, das Paradestück André Rieus, aus der Jazz Suite...

Contents: Coronation March (Meyerbeer) - Country Gardens - Flight of the Bumblebee - Hungarian Dance No. 5 (Brahms) - Dark Eyes (Folk Song) - Scarf Dance (Chaminade) - Spiritual Fantasia (Nobody Knows...

Das Stück ist technisch ziemlich schwierig, und kurioserweise sind es die tieferen Instrumente, die die schwersten Stimmen haben. So hat das Baritonsax einige altissimo-Passagen und beendet schließlic...

Martland wittily plays low against hight, with bluff and gutsy contribitions from the bass saxophone defining the storyline. Rian Evans, Guardian review (world premiere).

Fantazia 6 für Saxophonquartett, das zusammen mit Martlands Bearbeitung von Purcells Fantazia 7 für Posaunenquartett erschienen ist, steht in einer langen Reihe ungewöhnlich einfallsreicher Bearbeitun...

Two Lines entstand auf Wunsch von Peter Bowman und Kathryn Bennets nach einem Stück zur Feier ihrer 20-jährigen Zusammenarbeit. Es ist eine Antwort auf Bachs zweistimmige Inventionen, und wie Bachs St...