Cheri Baster

Contents: To Alceste - Son confusa pastorella - Dimmi, crudele - Lascia ch'io - Let Me Wander, not Unseen - Notte cara - Non ti fidar - Io ti levo l'impero dell'armi - Svegliatevi nel core- Care selve...

This valuable resource is a must for every choral director that prepares a chorus to sing Handel's Messiah! In three sections, Part I - Introduction to Preparing Messiah highlights Baroque performance...

This valuable resource is a must for every choral director that prepares a chorus to sing Handel's Messiah! In three sections, Part I - Introduction to Preparing Messiah highlights Baroque performance...

From Handels oratorio, Judas Maccabaeus, this chorus has been adapted for two part treble voices in an accessible introduction to the music of the Baroque.

From Handels oratorio, Judas Maccabaeus, this chorus has been adapted for two part treble voices in an accessible introduction to the music of the Baroque.

This brass accompaniment is designed to be played along with the traditional keyboard orchestral reduction. Arranged for 1st and 2nd Bb trumpet, 1st and 2nd trombone, and timpani. Available: Instrumen...

Featuring a new contemporary text, this setting of a work by Handel is part of the Stephen Roddy Classics Series.

This sweet, simple octavo from Handel's Rodelinda works well for a children's choir. It is a secular Baroque classic singing the praises of music. From our Jean Ashworth Bartle Choral series

The first performance of Messiah took place at the New Music Hall in Dublin on April 13, 1742. It was received with huge acclaim, the Dublin Journal proclaiming that 'Messiah was allowed by the greate...

A masterful choral fanfare! With a general worship verse, as well as both a Christmas and an Easter verse, it's also a fanfare for all seasons! Adapted from Handel's Coronation Anthem No. 1, Zadok the...

Sopran, Mezzosopran, Alt (Chorstimme) 1, Alt (Chorstimme) 2, Tenor, Bass (Chorstimme), Klavier - Klavierauszug, Urtextausgabe V o k a l m u s i k - Bühnenwerke - Oper

Opera in tre atti - Sopran solo (2), Mezzosopran solo, Alt solo, Tenor solo, Bass solo, Chor, Orchester - Klavierauszug; Gesamtausgabe; Urtextausgabe V o k a l m u s i k - Bühnenwerke - Oper

The hip contemporary approach to the Messiah created by Quincy Jones in the early '90s remains popular today. Teena Chinn captures all the original drive and excitement in this new choral setting. Uti...

Handel's Hallelujah chorus arranged as a two-part song for SA and piano by Henry Geehl.

Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah, edited by Henry Geehl, for 2-part upper voices.

Soprano Recitative, Two-part Women's Chorus, and Piano.