Cheryl Frances-Hoad

Dedicated to the Royal Academy of Music on their 200th Anniversary, this short solo accordion piece is quirkily written in Cheryl's characteristic post-tonal musical vocabulary.

Für Akkordeon solo. 10 Minuten. Uraufführung am 23. Februar 2024 in St Martin-in-the-Fields, London, UK durch Mingyuan Ruan.

Farewell to Oxford ist ein kurzes Klavierduett (vierhändig), das von der Messiah University in Auftrag gegeben und im April 2024 uraufgeführt wurde.

Cheryl Frances-Hoads "Dance Suite" für Klavier solo ist ein 11-minütiges Stück in fünf Sätzen, das vom Presteigne Festival in Auftrag gegeben wurde und im August 2024 uraufgeführt werden soll.

Diese Suite für Solo-Cello ist inspiriert von Kate Kennedys wunderbarem neuen Buch Cello: A Journey Through Silence to Sound. Jeder Satz erzählt die Geschichte eines anderen Cellos: Im ersten Satz sch...

Pieces of Light was commissioned by the Flautadors for their 20 th Anniversary. When the group approached me about writing a piece, I had just finished reading Pieces of Light; The New Science of Memo...

Asphodel is an aria based on Margaret Atwood's The Penelopiad to a libretto by Jeanne Pansard-Besson.

Commissioned by Simon Halsey CBE & Jack Apperley at the University of Birmingham for the singers of University Upper Voices. First performed by University Upper Voices directed by Jack Apperley on 11t...

For SATB and organ, commissioned by The Honourable Society of Lincoln's Inn. This four-and-a-half-minute anthem sets text by John Donne. XXVIII. Son of God, hear us, and since Thou By taking our blood...

For TrATB choir and organ. Commissioned for Worcester Cathedral Choir by The Elmley Foundation in memory of Samuel Driver White. Words by P.H.B. Lyon.

Commissioned by Winchester College for the 2020 Choir Schools' Association Conference. First performed by Winchester College Chapel Choir, May 2020 with Howard Ionascu, conductor and Benjamin Cunningh...

For this piece Cheryl Frances-Hoad worked with the Poet Laureate Simon Armitage. We'll Sing was commissioned by the Huddersfield Choral Society for those lost to the COVID-19 pandemic.

In this work for a mixed choir of any voices and instruments Cheryl Frances-Hoad sets a text by Molly Naylor. Lasting ten minutes this pieces was premiered by Showstoppers: Choir of a Thousand, conduc...

Für gemischten Chor und Saxophon. Eine Vertonung von Nevill Coghills moderner englischer Version des Textes von Geoffrey Chaucer.

“Cheryl’s carol is a masterpiece in understatement, hauntingly beautiful and so carefully written for the current generation of King’s College Choir.” Daniel Hyde, Director of Music, King’s College, C...

Für Solo-Sopran, SATB-Chor und Streichorchester. Geschrieben im Jahr 2024. Dauer: ca. 19 Minuten. With What Sudden Joy wurde vom Southwell Music Festival zur Feier seines zehnjährigen Bestehens im Jah...

Dieses vierminütige Werk für SATB und Orgel basiert auf einem Auszug aus "Larchipel de la Manche (Die Kanalinseln)" von Victor Hugo und wurde von Mitgliedern der Huanui Music Society Guernsey in Auftr...

Dieses kurze Werk für Bläserquintett wurde zur Feier der hundertsten Geburtstage von Boulez und Berio komponiert. Der spielerische Titel bezieht sich auf berühmte Delikatessen, die an den Geburtsorten...

This work for soprano and string quartet was premiered at the Oxford University Museum of Natural History on the 18th November 2019 by Carola Darwin and the Gildas Quartet. Commissioned by Carola Darw...

This work for soprano and string quartet was premiered at the Oxford University Museum of Natural History on the 18th November 2019 by Carola Darwin and the Gildas Quartet. Commissioned by Carola Darw...

Commissioned by Fenella Humphreys with funding from The Marchus Trust First performed by Fenella Humphreys (violin), Ben Griffiths (double bass), Murray Grainger (accordion) and George Barton (percuss...

For mezzo-soprano voice and bass clarinet. How to Win an Election was commissioned by Ian Mitchell and premiered by Alison Wells and Ian Mitchell at St. Mary Magdalen Church, Oxford on 22 January 2018...

Scenes from Autistic Bedtimes (2012-13) is a ten minute work scored for treble, soprano, vibraphone, cello and piano, setting text by Stuart Murray

Two short pieces suitable for Grade 8 standard players.

A five-minute work for solo trombone, originally commissioned by the London Sinfonietta for their World Premiere Wednesdays series and premiered by Bryon Fulcher at Kings place on 27th September 2017.