Colin Matthews

‘Duo’ implies an equality of partnership, and in the fast second and fourth of these pieces the piano is no less important than the cello – in the fourth both are for much of the time playing in uniso...

Little Pavane, composed by Colin Matthews for flute with piano accompaniment. Taken from the Unbeaten Tracks series edited by Philippa Davies, 8 intermediate contemporary pieces for flute and piano.

Chaconne with Chorale (1998) / Capriccioletto (1998) / Omaggio (1990-3) / Moto Perpetuo (1988)

These pieces were originally written in 1989 for the composer's daughter Lucy to play on the Piano when she was nine years old. Shortly after this he arranged them for Violin and Piano, but Lucy never...

Ten Pig Songs by Colin Matthews is a series of fun, engaging and theatrical songs that set Cope's typically comical yet striking poems about the lives and characteristics of different breeds of pigs....

Matthews' First World War cantata No Man's Land for tenor, baritone and chamber orchestra was much praised when it was premiered at the BBC Proms in 2011 and has gone on to win the vocal category of t...

Premiered at the BBC Proms in 1984, Matthews’ first concerto for cello is an extravagantly coloured collaboration between soloist and orchestra. Though packed with virtuosity, Matthews makes orchestra...

Instrumentation: 2.2(II=ca).2(II=bcl).2 - 2(1)00 - timp(=rototom or tom-t+glsp) - strings (min 4.4.3.3.2)

"Matthews calls the processes in Landscape `the irrational logic of a dream'. It might otherwise be described as an instinctive but masterful reinterpretation of sonata principles, surprising...

Instrumentation: 2(I=picc ad lib).2.2.(bcl).2 - 423(1) - timp -perc(1/2): tam-t/glsp/cyms/2 susp.cym/ratchet/BD/tgl/(siz.cym) - (pno) - (harp) - strings

Instrumentation: 3(III=picc).2.2.bcl.(cbcl).2.cbsn - 4.2(I=ptpt adlib).3.1 - timp - perc(3): vib/3 BD/3 susp.cym/hi-hat/tpl.bl/xyl/6 tom-t/(siz.cym)/tam-t/gong/6 rototom/4 t.bells/glsp/claves/mcas - p...

The title Cortege does not imply a funeral march, but rather a measured processional in which the colours are predominantly sombre and the mood dark and often menacing. One of the most important eleme...

Instrumentation: picc.2.2.ca.2.bcl.2.cbsn - 4331 - timp - perc(2/3): BD/4 tom-t/vibraslap/metal ratchet/susp.cym/siz.cym/hi-hat/tam-t/guiro/glsp - harp - strings

Instrumentation: 2.afl.2.ca.2.bcl.2 - 4230 - timp - perc(2): wdbl/3 susp.cym/cyms/BD+cym/hi-hat/glsp/vib/BD+foot ped/tam-t/flexatone/mar - pno(=elec keyboard ad.lib) - harp - strings (min 24[vln div i...

Score to Claude Debussy's Feuilles mortes (Prelude 2) , orchestrated by Colin Matthews. Instrumentation: 2.afl.2.ca.2 cl in A.bcl.2.cbsn - 4330 - timp - perc(2): tam-t/2 crot - 2 harps - cel - str...

Score to Claude Debussy's Ce Qu'a Vu Le Vent D'Ouest (Prelude 1), orchestrated by Colin Matthews, Instrumentation: 2(II=picc).afl.2.ca.2 cl in A.bcl.2.cbsn - 4331 - timp - perc(3): BD/cyms...

Score to Claude Debussy's Feux d'artifice (Prelude 3) , orchestrated by Colin Matthews, Instrumentation: 1(=picc).picc.afl.2.ca.2.bcl.2.cbsn - 4331 - timp - perc(3): BD/susp.cym/tgl/tam-t/glsp...