Dan Rubin

Wie ein Baum, der am Wasser gepflanzt ist, werde ich nicht wanken. Es geht nichts über die Kraft der Gospelmusik, um einen Ton der Entschlossenheit zu setzen, und dieses Gospelstück für Tenor-Bass-Sti...

Dedicated to the children of Oklahoma City, this original song offers a special message of hope. Available: 2-Part, 3-Part Mixed. Performance Time: Approx. 3:00.

Introduce your choir to an orchestral masterwork with this choral adaptation of the main theme from Brahm's Symphony No. 1. A new text exults the dream of freedom shared by all the world's peoples. So...

Introduce your choir to an orchestral masterwork with this choral adaptation of the main theme from Brahm's Symphony No. 1. A new text exults the dream of freedom shared by all the world's peoples. So...

If I can sing, I still am free.' Sara Teasdale's 1917 poem Refuge' is certain to resonate with anyone who possesses an appreciation for singing. This lush setting plays out across a shifting palette o...

Two popular Jewish folk songs are joined in this creative medley. The poignant text speaks of dwelling together in unity and harmony. A cello part is provided for the TTB voicing while a violin part h...

Two popular Jewish folk songs are joined in this creative medley. The poignant text speaks of dwelling together in unity and harmony. A cello part is provided for the TTB voicing while a violin part h...

Here is a new folk song whose melodic contour, harmonic structure, and symmetry with the Robert Burns text are so authentic, that it's hard to believe it's a contemporary composition. Modern day compo...

Here is a new folk song whose melodic contour, harmonic structure, and symmetry with the Robert Burns text are so authentic, that it's hard to believe it's a contemporary composition. Modern day compo...

Best known as a popular camp song, this convivial tune about camaraderie and brotherhood is perfect for 3-part men! Featuring straightforward choral writing and an unforgettably catchy chorus, it's gu...

Your men's ensemble will adore the patter text and witty humor in this excerpt from Gilbert & Sullivan's comic operetta, Patience. Verses are sung in two-part harmony, with an optional third part adde...

Your men's ensemble will adore the patter text and witty humor in this excerpt from Gilbert & Sullivan's comic operetta, Patience. Verses are sung in two-part harmony, with an optional third part adde...

If I can sing, I still am free.' Sara Teasdale's 1917 poem Refuge' is certain to resonate with anyone who possesses an appreciation for singing. This lush setting plays out across a shifting palette o...

If I can sing, I still am free.' Sara Teasdale's 1917 poem Refuge' is certain to resonate with anyone who possesses an appreciation for singing. This lush setting plays out across a shifting palette o...

The transition from treble to changed voice can be a unique and challenging time for developing male singers. Dr. Lon Beery brings years of expertise as a middle school choral educator and clinician t...

Stan Pethel has taken this tune from The Sacred Harp and has put it into a compelling new setting with a rhythmic feel in the accompaniment and voices. Enjoy the simplicity of this classic tune! Durat...

Lon Beery hat sich mit dieser Bearbeitung einer bekannten frühbarocken Melodie von Melchior Frank selbst übertroffen. In dieser einfachen, aber wunderbaren lateinischen Textvertonung nutzt Beery seine...

John Campbell has written 200 innovative hymn texts that succeed in stirring and challenging us to address serious issues that affect church and society.Quirky, distinctive and forthright, his lyrics...

Jacques Offenbach's "Infernal Galop", or "Can-Can" as it is more often called, has been reimagined throughout history. From classical composers such as Saint-Saëns, to more modern uses in movies, tele...

Jacques Offenbach's "Infernal Galop", or "Can-Can" as it is more often called, has been reimagined throughout history. From classical composers such as Saint-Saëns, to more modern uses in movies, tele...

Jacques Offenbach's "Infernal Galop", or "Can-Can" as it is more often called, has been reimagined throughout history. From classical composers such as Saint-Saëns, to more modern uses in movies, tele...

Jacques Offenbach's "Infernal Galop", or "Can-Can" as it is more often called, has been reimagined throughout history. From classical composers such as Saint-Saëns, to more modern uses in movies, tele...