Danny Crawford

Stilistisch sind die Vokalwerke Johann Triers und somit auch diese Kantate noch in der Tradition des Barock stehend. Doch viele Manierismen und Melodieführungen zeigen bereits deutlich den Übergang vo...

The Awakening Hour was written to honor my friend Professor Jeffrey Renshaw and his retirement from the University of Connecticut. The title is drawn from Thoreau's Walden: “The morning, which is the...

The Awakening Hour was written to honor my friend Professor Jeffrey Renshaw and his retirement from the University of Connecticut. The title is drawn from Thoreau's Walden: “The morning, which is the...

Trompete (3), HRN (3), Posaune (3), Glocken, CYMBAL, Pauke

Stilistisch sind die Vokalwerke Johann Triers und somit auch diese Kantate noch in der Tradition des Barock stehend. Doch viele Manierismen und Melodieführungen zeigen bereits deutlich den Übergang vo...

Robert Clérisse: Cadence de Concours (Clarinet & Piano)

Antonín Dvorák (1841-1904) komponierte sein Konzert für Violoncello in h-Moll, op. 104/B. 191 im Jahr 1894. Es war das letzte Solokonzert, das der Komponist schrieb, und es war das letzte Werk, das er...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

The Symphony No. 8 in G major, Op. 88, B. 163 by Antonín Dvorák (1841-1904) was composed in 1889 at Vysoká u Príbrame, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Lite...

Antonín Dvorák (1841-1904) komponierte EIN HELDENGESANG (PÍSEN BOHATÝRSKÁ), op. 111/B. 199, im Jahr 1897. Es ist seine letzte symphonische Dichtung und eines seiner letzten großen Orchesterwerke. Im G...