David Hurwitz

Johan de Meijs '4. Sinfonie' für Sologesang, Kinderchor und Blasorchester wurde von einer Auswahl deutscher Gedichte aus dem 19. Jahrhundert inspiriert. Die ersten drei Sätze entstanden nach Versen au...

Here's a truly special collection of gospel favorites drawn from the traditions of many faiths and cultures. It brings a delightful mix of treasured worship songs - songs of praise and petition, hymns...

This unique collection features 37 selections with reference to many more from radio's golden age presented in standard notation and tablature. It includes a sampling of best-loved and well-remembered...

Orchesterbesetzung:Blockflöte, Violino concertante, Violino (Concertante und Ripieno), Viola I, Viola II und Basso continuo

Ein viel gesungenes Werk - neu herausgegeben und dabei in zahlreichen aufführungspraktischen Details aktualisiert.

Gesang (Flöte, Oboe, Violine) und Gitarre Haben Sie sich auch schon immer gefragt, welches tolle Gitarren-Stück täglich die Musikstunde im SWR 2 einleitet? Seit über 10 Jahren erklingt dort jeden morg...

Jonathan Rodgers' Arrangement von I'll Fly Away für SSAA-Chor und Solisten haucht dem beliebten Lied neues Leben ein. Diese neue Interpretation bietet ein temperamentvolles Erlebnis für Sänger und Pub...

The text can stand easily on its own as one of the greatest poems by Fred Pratt Green. Jonathan Rodgers has set it to the Welsh folk tune (best known as All through the Night) with such superb craftsm...

The text can stand easily on its own as one of the greatest poems by Fred Pratt Green. Jonathan Rodgers has set it to the Welsh folk tune (best known as All through the Night) with such superb craftsm...

This is a spiritual from the Afro-American tradition, well known from the 1872 collection Jubilee Songs as Sung by the Jubilee Singers. Jonathan Rodgers' devoted arrangement offers a touch of his jazz...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This is a setting of an Irish Blessing but no THE Irish Blessing. This musical tapestry is one of unadorned a cappella mixed chorus, using soft dissonances and free-flowing counterpoint. Together in s...

This is the first new composition in the exciting new series curated by American conductor and composer, Rollo Dilworth. With a focus on literature for upper High School, Honors Choirs and early colle...

This is the first new composition in the exciting new series curated by American conductor and composer, Rollo Dilworth. With a focus on literature for upper High School, Honors Choirs and early colle...

This jaunty little work on a text from William Shakespeare's Love's Labour's Lost, one of his earliest comedies. The tongue-in-cheek text talks of married life and the woe that comes from being unable...