David Underwood

Voice, melody, movement ... These three words were my inspiration for this project - bringing them together! In this volume, I show my personal version of opera arias: while maintaining my own interpr...

Voice, melody, movement... These three words were my inspiration for this project - bringing them together! In this volume, I show my personal version of opera arias: while maintaining my own interpre...

Voice, melody, movement... These three words were my inspiration for this project - bringing them together! In this volume, I show my personal version of opera arias: while maintaining my own interpre...

for Solo Alto Flute (or C Flute). Premiered at the NFA 1989 in New Orleans, this work allows the alto flute to show off a variety of contrasts.

Finally for string orchestra! Mendelssohn's masterpiece requires skill in bow control, advanced rhythms, and dynamic range, making it a staple of full orchestra competition literature. Now string orch...

Finally for string orchestra! Mendelssohn's masterpiece requires skill in bow control, advanced rhythms, and dynamic range, making it a staple of full orchestra competition literature. Now string orch...

Finally for string orchestra! Mendelssohn's masterpiece requires skill in bow control, advanced rhythms, and dynamic range, making it a staple of full orchestra competition literature. Now string orch...

Finally for string orchestra! Mendelssohn's masterpiece requires skill in bow control, advanced rhythms, and dynamic range, making it a staple of full orchestra competition literature. Now string orch...

The Berceuse (Wiegelied) of Martin Tytgat was composed during his time as a concentration camp prisoner near the Lithuanian border. While in the camp, he was provided with a bad violin and though at f...