Don Jake Jacoby

Jelly Roll Morton always claims that one of the essential elements from the very first days of jazz was the break. A break was when the regular rhythm was suspended, and one of the players had to step...

Parts for Violin, Viola, Cello and Piano. Score doubles up as Piano part.

Two pieces by William Busch for for two clarinets, horn and bassoon.

A Memory was a Cello and Piano arrangement/extension by William Busch of one of his previous compositions, a song titled The Promise. Busch is one of the 'forgotten' composers of the '30s and '40s, wh...

A suite for Cello and Piano; Prelude, Capriccio, Nocturne, and Tarantella.

The three works for violin and piano were written over a period of almost two years during 1943 and 1944. Away from the bustle of London, where Busch had lived before ill-health began to plague him, h...

Sweet Content by William Busch for Medium Voice with Piano accompaniment. Words by W. H. Davies.

The Fairies by William Busch for Medium Voice with Piano accompaniment. Words by Robert Herrick.

Weep You No More by William Busch for Medium Voice with Piano accompaniment.

Slumber Song by William Busch for High Voice with Piano accompaniment. Words by Dorothy Wordsworth.

Gigue was the first major Piano work composed by William Busch in 1923. Gigue showed incredible skill and virtuosity for a composer who at the time was on 22 years old.

Allegretto Quasi Pastorale was written in 1933 by William Busch, following a successful concert tour to America. This piece was written during a more creative period in Busch 's life where he also pro...

Theme, Variations And Fugue is William Busch 's most well-known work for solo Piano, admired by Gerald Finzi and Bernard van Dieren amongst others. Theme, Variations And Fugue was first performed in M...