Dr. John Rebennack

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This is a setting of an Irish Blessing but no THE Irish Blessing. This musical tapestry is one of unadorned a cappella mixed chorus, using soft dissonances and free-flowing counterpoint. Together in s...

This is the first new composition in the exciting new series curated by American conductor and composer, Rollo Dilworth. With a focus on literature for upper High School, Honors Choirs and early colle...

This is the first new composition in the exciting new series curated by American conductor and composer, Rollo Dilworth. With a focus on literature for upper High School, Honors Choirs and early colle...

This jaunty little work on a text from William Shakespeare's Love's Labour's Lost, one of his earliest comedies. The tongue-in-cheek text talks of married life and the woe that comes from being unable...

Commissioned by Earl Rivers and the CCM Chamber Choir with a text chosen to celebrate the 400th anniversary of William Shakespeare's death. Composer DiOrio has chosen Bass Clarinet, Violin and Vibraph...

In den meisten Messkompositionen ist der Text zentral, der 2025 gefeiert wird. Auf dem Konzil von Nicäa im Jahr 325 – vor 1700 Jahren – wurde er zum ersten Mal veröffentlicht. Die endgültige Form des...

In den meisten Messkompositionen ist der Text zentral, der 2025 gefeiert wird. Auf dem Konzil von Nicäa im Jahr 325 – vor 1700 Jahren – wurde er zum ersten Mal veröffentlicht. Die endgültige Form des...

This cheerful song is a Caribbean circle game from Trinidad and Tobago arranged for young voices and piano or classroom instruments. The octavo includes directions for playing the game and the setting...

This cheerful song is a Caribbean circle game from Trinidad and Tobago arranged for young voices and piano or classroom instruments. The octavo includes directions for playing the game and the setting...

This sweet setting of a Kentucky folksong will showcase your young singers at their best, with excellent vocal ranges and well-crafted harmonies.

A fun, little piece for the children, written for two part choir and keyboard with optional flute, guitar, and cello. From the Accent On Youth seriesAlso available in SATB (HMC210)

From the Accent On Youth Series . A prayer for all children for solo or unison voices (congregation optional) with viola or violin, alto recorder or flute, hand drum, finger cymbals, hanging cymbal, k...

Here is music that is bright and partnered. The clarinet and viola weave opening lines from the bottom of their ranges skyward, while the piano has a simple repetitive walking motive. The chorus walks...

Commissioned for the 25th anniversary of the Cincinnati Children's Choir, We Will Do Miracles is a fun, inspirational, and boisterous tune for treble voices. The text is adapted from Walt Whitman's So...

Commissioned for the 25th anniversary of the Cincinnati Children's Choir, We Will Do Miracles is a fun, inspirational, and boisterous tune for treble voices. The text is adapted from Walt Whitman's So...

Be brave, be proud. Whatever you have to say, you say it loud. This is a creative, heartwarming piece that uses text written by elementary school students. The words of these students will ring true f...