Eckart Altenmüller

Feature a special soloist with this tour de force a cappella setting of the 1963 #1 hit by Manfred Mann and bring down the house! An awesome closer or encore!

If you need a concert closer, look no further! For mixed divisi voices a cappella, this original spiritual/gospel song calls for an advanced chorus with a capable soloist. Use it to close your next co...

A show stopper, for sure! Arranged in a collegiate, street-corner a cappellastyle, with a featured tenor solo. A fantastic change of pace.

From the Scottish Folksong Suite, this a cappella ballad makes a stunning feature for male chorus. Available for TTBB. Performance Time: Approx. 2:15.

With a text based on Psalm 147, this delightful work for treble choir is composed in a neoclassical style with dancing imitative melodies and contrapuntal lines. The contrasting B section is legato an...

With a text based on Psalm 147, this delightful work for treble choir is composed in a neoclassical style with dancing imitative melodies and contrapuntal lines. The contrasting B section is legato an...

This delightful pairing of two classic songs encourages singers and listeners to look beyond differences and difficulties to recognize the joys of life. An excellent showcase for young choirs and fest...

This delightful pairing of two classic songs encourages singers and listeners to look beyond differences and difficulties to recognize the joys of life. An excellent showcase for young choirs and fest...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The divisi in the melody lines are either in octaves or very sim...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The divisi in the melody lines are either in octaves or very sim...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice and descant voice, while really cool, are enti...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice and descant voice, while really cool, are enti...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice, while really cool, is entirely optional. Dire...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice, while really cool, is entirely optional. Dire...

Commissioned for the Northwest Division ACDA Youth Honor Choir, Ken Berg has merged two favorite spirituals about hands: He's Got the Whole World in His Hands and The Lord Has Got His Hands on Me. Thi...

Commissioned for the Northwest Division ACDA Youth Honor Choir, Ken Berg has merged two favorite spirituals about hands: He's Got the Whole World in His Hands and The Lord Has Got His Hands on Me. Thi...

A joyous, fun choral fanfare perfect as a concert opener or finale. With challenging 5/4 sections adding excitement and interest, it may be performed as written or by unison voices. Duration: ca. 3:15...

Written for the 2004 Georgia Sixth Grade honor choir, this gently rocking 6/8 setting is supported by a beatiful harp-like accompaniment. Performance Time: Approx. 2:30

Written for the 2004 Georgia Sixth Grade honor choir, this gently rocking 6/8 setting is supported by a beatiful harp-like accompaniment. Performance Time: Approx. 2:30

A spirited setting of the traditional spiritual. Ideal for beginning choirs, this offers many opportunities for young voices to shine. Performance Time: Approx. 2:50

A spirited setting of the traditional spiritual. Ideal for beginning choirs, this offers many opportunities for young voices to shine. Performance Time: Approx. 2:50

Simple unison singing is complemented by a jazz-flavored piano accompaniment. Performance Time: Approx. 3:20

Simple unison singing is complemented by a jazz-flavored piano accompaniment. Performance Time: Approx. 3:20

This buoyant setting of the traditional text will fill your Christmas concert with great joy! Primarily unison, with optional divisi at the end and flute. Performance Time: Approx. 1:50.

Here is the timeless Hoagy Carmichael standard in a bluesy treatment for treble voices. Marked with sweet gentility, the authentic southern flavor of the song is unmistakable and the arrangement will...