Edith Skinner

Die Schönheit der unbegleiteten Stimmen wird in dieser Hymnenbearbeitung einfühlsam dargestellt. Die Musik wirbelt mit gewinnendem Staunen und trägt die geliebten Texte direkt ins Herz. Diese Hymne bi...

One of the four Marian antiphons, this devotional text has been sung in monastic choirs for centuries. This setting features a homophonic texture and a simple ABA form. Duration: ca. 4:15.

This unaccompanied choral work for mixed voices draws the audience into a world of deep emotion, rich harmony and vivid imagery. Drawing upon the subconscious bond between mother and child, the work e...

This unaccompanied choral work for mixed voices draws the audience into a world of deep emotion, rich harmony and vivid imagery. Drawing upon the subconscious bond between mother and child, the work e...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly, and takes the refrain of I am as a mantra for existence. The use of a dramatic sopra...

This is a setting of an Irish Blessing but no THE Irish Blessing. This musical tapestry is one of unadorned a cappella mixed chorus, using soft dissonances and free-flowing counterpoint. Together in s...

This is the first new composition in the exciting new series curated by American conductor and composer, Rollo Dilworth. With a focus on literature for upper High School, Honors Choirs and early colle...

This is the first new composition in the exciting new series curated by American conductor and composer, Rollo Dilworth. With a focus on literature for upper High School, Honors Choirs and early colle...

This jaunty little work on a text from William Shakespeare's Love's Labour's Lost, one of his earliest comedies. The tongue-in-cheek text talks of married life and the woe that comes from being unable...

Commissioned by Earl Rivers and the CCM Chamber Choir with a text chosen to celebrate the 400th anniversary of William Shakespeare's death. Composer DiOrio has chosen Bass Clarinet, Violin and Vibraph...

In den meisten Messkompositionen ist der Text zentral, der 2025 gefeiert wird. Auf dem Konzil von Nicäa im Jahr 325 – vor 1700 Jahren – wurde er zum ersten Mal veröffentlicht. Die endgültige Form des...