Edward Elgar

Here's an easy treatment of this traditional graduation processional which includes an optional opening fanfare.

Perfect for performance either in concert or in graduation ceremonies, this arrangement combines the trio themes from Sir Edward Elgar's Pomp and Circumstance Marches No. 1 and 4. These themes were fe...

Perfect for performance either in concert or in graduation ceremonies, this arrangement combines the trio themes from Sir Edward Elgar's Pomp and Circumstance Marches No. 1 and 4. These themes were fe...

Dies ist eine der edelsten und stattlichsten Musiken in der gesamten Literatur. Hervorragend geeignet für Abschluss-, Abitur-, Gedenk- oder Preisverleihungszeremonien. Dieses Standardwerk kann nun von...

Dies ist eine der edelsten und stattlichsten Musiken in der gesamten Literatur. Hervorragend geeignet für Abschluss-, Abitur-, Gedenk- oder Preisverleihungszeremonien. Dieses Standardwerk kann nun von...

Give a graduation that seal of authenticity with this concert band arrangement of the Edward Elgar's timeless 'Pomp and Circumstance.' An elegant piece to commemorate a joyous celebration of accomplis...

Give a graduation that seal of authenticity with this concert band arrangement of the Edward Elgar's timeless 'Pomp and Circumstance.' An elegant piece to commemorate a joyous celebration of accomplis...

Give a graduation that seal of authenticity with this concert band arrangement of the Edward Elgar's timeless 'Pomp and Circumstance.' An elegant piece to commemorate a joyous celebration of accomplis...

Edward Elgar (1857-1934) vollendete seinen 'Liebesgruß' im Juli 1888, als er mit Caroline Alice Roberts verlobt war. Er nannte das Stück Liebesgruß wegen Miss Roberts fließender Deutschkenntnisse. Als...

Every year, Pomp and Circumstance (March no.1) is one of the encore's at the Last Night of the Proms in London: without any doubt, it's Edward Elgar's most populair work. (Concert Band)

Variations on an Original Theme for orchestra' (Enigma), Op. 36, commonly referred to as the 'Enigma Variations', is a set of a theme and its fourteen variations written for orchestra by Edward Elgar...

Variations on an Original Theme for orchestra(Enigma), Op. 36, commonly referred to as the Enigma Variations, is a set of a theme and its fourteen variations written for orchestra by Edward Elgar in 1...

In 1899 Edward Elgar finished his best-known large-scale composition, the 'Enigma Variations'. Elgar dedicated the piece to 'my friends pictured within', each variation being an affectionate portrayal...

In 1899 Edward Elgar finished his best-known large-scale composition, the "Enigma Variations". Elgar dedicated the piece to "my friends pictured within", each variation being an affectionate portrayal...

Edward Elgar's Cello Concerto in E minor, Op. 85, his last notable work, is a cornerstone of the solo cello repertoire. Elgar composed it in the aftermath of the First World War, when his music had al...

The 'Serenade for Strings in E minor', Op. 20 was written by Edward Elgar in March 1892 and first performed in private in that year, by the Worcester Ladies' Orchestral Class, with the composer conduc...

The 'Serenade for Strings in E minor', Op. 20 was written by Edward Elgar in March 1892 and first performed in private in that year, by the Worcester Ladies' Orchestral Class, with the composer conduc...

'Chanson de Matin', Op. 15, No. 2, is composed by Edward Elgar for violin and piano, and later orchestrated by the composer. Its first publication was in 1899 though it is thought that it was almost c...

'Chanson de Matin', Op. 15, No. 2, is composed by Edward Elgar for violin and piano, and later orchestrated by the composer. Its first publication was in 1899 though it is thought that it was almost c...

'Chanson de Nuit', Op. 15, No. 1, is composed by Edward Elgar for violin and piano, and later orchestrated by the composer. Its first publication was in 1897, though it is considered that it was almos...

'Chanson de Nuit', Op. 15, No. 1, is composed by Edward Elgar for violin and piano, and later orchestrated by the composer. Its first publication was in 1897, though it is considered that it was almos...