Eoin Hamilton

Britten's setting of Edith Sitwell's poem 'Praise We Great Men', was left unfinished at his death. It was being written for Mstislav Rostrpovich to include in his first season with the National Sympho...

Britten's last opera, Death In Venice , is based on the short story by Thomas Mann. It follows the inner turmoil of the ageing novelist Gustav von Aschenbach, who becomes infatuated by a boy he sees o...

Vocal score to Benjamin Britten's The Rescue of Penleope , for narrator, four solo voices and orchestra. The concert version of the radio drama The Rescue (1943) prepared by Christopher de Souza i...

Love from a Stranger was a 'thriller' starring Ann Harding and Basil Rathbone, based on an Agatha Christie short story, Philomel Cottage. As well as Britten's score, the film also included excerpts fr...

Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the...

The first broadcast of the incidental music for D. G. Bridson's radio drama, King Arthur was given on 23rd April (St. George's Day) 1937. The first performance of this Suite for Orchestra was given on...

This concert version has been prepared by Donald Mitchell for Soprano, Alto, Tenor and Baritone soloists, 1 or 2 speakers, SATB choir and Orchestra. The text has been compiled by R. Ellis Roberts. Th...

In preparing for publication the 1935 orchestral version of Britten's Te Deum in C, it became clear that there were a number of discrepancies between the manuscript and the original 193 vocal score. S...

A lively setting using the popular I Saw Three Ships text. The choral writing depicts the fresh bracing sonorities of bells.

Anthem for unaccompanied SATB choir from Britten's dramatic cantata The Company of Heaven.

The songs are tender, touching, beguilingly beautiful. John van Rhein, Chicago Tribune, 20 May 1983, Klavierauszug, Original für High Voice and Small Orchestra, Instrumentation: 2.1.2.bcl.2 - 4000 - p...

Curlew River - A Parable for Church Performance (Op. 71) is the first of three Church Parables by Benjamin Britten. The work is based on the Japanese Noh play Sumidagawa (Sumida River) of Juro Motomas...

Of all the parables in the New Testament none has had quite such a universal and ever-renewed appeal as that of the Prodigal Son. With its unforgettable climax of reward and rejoicing being lavished n...

A ballad for children's voices and (largely) percussion orchestra setting a long narrative poem by Bertolt Brecht, telling the tragic story of a band of orphaned children lost in the snowy wastes of w...

Scored for solo voice, unison chorus and piano, The Twelve Apostles was written for Peter Pears and the London Boy Singers. The text was adopted from The Ten Commandments as given in 'English Folk Son...

These Christmas carols have become contemporary classics. 'The serene Sweet was the Song' contrasts with a moving lament on the hardships of Christmas, 'A Wealdon Trio', and a memorable setting of Har...

Britten's setting of Edith Sitwell's poem 'Praise We Great Men', was left unfinished at his death. It was being written for Mstislav Rostrpovich to include in his first season with the National Sympho...

Britten’s last opera, Death In Venice , is based on the short story by Thomas Mann. It follows the inner turmoil of the ageing novelist Gustav von Aschenbach, who becomes infatuated by a boy he...

These part-songs were the first of Britten's works to be published. In 1932 Britten showed the pieces to John Ireland during discussions about proofs and possible transpositions. First called Three S...

The Ride-By-Nights by Benjamin Britten for 2-part boys' or women's voices and Piano. From Three Two-part Songs.

An easy arrangement for unison and organ

Paul Bunyan is an American synthetic folklore figure whose 'legend' was actually created as an early advertising campaign on behalf of the lumber industry. This overture was actaully dropped from the...