Eric Whitacre

This is the third movement of The Sacred Veil, a twelve-movement work written with poet Charles Anthony Silvestri. The Sacred Veil chronicles the rich life of Tony and his late wife Julie Silvestri. T...

Here are three whimsical settings of Ogden Nash poems that are perfect for a lighter portion of your program or as an encore. They are easily-learned and fun to perform! Includes: 1) The Panther; 2) T...

Optional choral parts also available.

Optional choral parts also available.

The piece that helped launch Eric Whitacre's career in wind band composing! In this highly programmatic work, Eric transforms a story from American folklore of a supernatural locomotive that roars thr...

The piece that helped launch Eric Whitacre's career in wind band composing! In this highly programmatic work, Eric transforms a story from American folklore of a supernatural locomotive that roars thr...

The piece that helped launch Eric Whitacre's career in wind band composing! In this highly programmatic work, Eric transforms a story from American folklore of a supernatural locomotive that roars thr...

The piece that helped launch Eric Whitacre's career in wind band composing! In this highly programmatic work, Eric transforms a story from American folklore of a supernatural locomotive that roars thr...

The piece that helped launch Eric Whitacre's career in wind band composing! In this highly programmatic work, Eric transforms a story from American folklore of a supernatural locomotive that roars thr...

A wild ride from the composer of October and Ghost Train! Equus is the Latin word for horse, and this moto perpetuo perfectly captures the fury and majesty of this magnificent animial. Commissioned by...

A wild ride from the composer of October and Ghost Train! Equus is the Latin word for horse, and this moto perpetuo perfectly captures the fury and majesty of this magnificent animial. Commissioned by...

A wild ride from the composer of October and Ghost Train! Equus is the Latin word for horse, and this moto perpetuo perfectly captures the fury and majesty of this magnificent animial. Commissioned by...

A wild ride from the composer of October and Ghost Train! Equus is the Latin word for horse, and this moto perpetuo perfectly captures the fury and majesty of this magnificent animial. Commissioned by...

Conceived as a raucous 'opera buffo' style overture, this new work from composer Eric Whitacre is the perfect way to start any concert. The beautiful theme and brilliant orchestration build to an exci...

Conceived as a raucous 'opera buffo' style overture, this new work from composer Eric Whitacre is the perfect way to start any concert. The beautiful theme and brilliant orchestration build to an exci...

Conceived as a raucous 'opera buffo' style overture, this new work from composer Eric Whitacre is the perfect way to start any concert. The beautiful theme and brilliant orchestration build to an exci...

Commissioned for the 2002 Indiana All-State Band, Cloudburst is an adaptation of Whitacre's acclaimed choral work of the same name. Lush and luminescent, Cloudburst combines hand bells, thunder sheets...

Commissioned for the 2002 Indiana All-State Band, Cloudburst is an adaptation of Whitacre's acclaimed choral work of the same name. Lush and luminescent, Cloudburst combines hand bells, thunder sheets...

Commissioned for the 2002 Indiana All-State Band, Cloudburst is an adaptation of Whitacre's acclaimed choral work of the same name. Lush and luminescent, Cloudburst combines hand bells, thunder sheets...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Sleep, My Child comes from Eric Whitacre's work for musical theater, Paradise Lost: Shadows and Wings. Originally written for two sopranos and mezzo (portrayed as three angels), it was adapted for ban...

Over the past few years I must have read Goodnight Moon to my son a thousand times - maybe more. Somewhere around reading number 500, I began hearing little musical fragments as I read, and over time...

Over the past few years I must have read Goodnight Moon to my son a thousand times - maybe more. Somewhere around reading number 500, I began hearing little musical fragments as I read, and over time...