Eva Maria Tobler- Zelter

A fantasia based on five folk tunes which was first performed by Pablo Casals in 1930. The piano reduction was prepared by John Lenehan from the original score. Score and parts of the version for orch...

Of all his early chamber works, the 'Nocturne' is most clearly by the mature Vaughan Williams, almost anticipating the influence of Ravel which followed his lessons from the French composer in 1908. I...

Of all his early chamber works, the 'Nocturne' is most clearly by the mature Vaughan Williams, almost anticipating the influence of Ravel which followed his lessons from the French composer in 1908. I...

This equisite Fantasia on the timeless English folk song 'Greensleeves' was arranged for viola/cello by Watson Forbes.

Dark Pastoral is based on sketches by Ralph Vaughan Williams for the slow movement of an unfinished Concerto for Cello and Orchestra and arranged by David Matthews. Arranged for Cello and Piano this i...

This fantasia for solo cello and orchestra is based on five folk tunes, and was first performed by Pablo Casals in 1930. The piano reduction was prepared by John Lenehan from the original score and th...

Dark Pastoral is based on sketches by Ralph Vaughan Williams for the slow movement of an unfinished Concerto for Cello and Orchestra and arranged by David Matthews. Arranged for Cello and Piano and in...

This equisite Fantasia on the timeless English folk song 'Greensleeves' was arranged for violin and piano by Michael Mullinar based on music from Vaughan Williams's opera Sir John in Love.

This serene romance is one of Vaughan Williams's most enduring popular works. Taking its title from a poem by George Meredith, the music perfectly evokes the lark's 'chirrup, whistle, slur, and shake'...

Vocal Range: d'-e''

This three volume series comprises the bulk of the solo songs which Vaughan Williams published with Oxford University Press. The songs span his whole long career; from 1869 to 1958. The majority are s...

Material is available on hire

For soprano solo, speaker, SATB chorus, and full orchestra (or 3 trumpets, timpani, percussion, harp or piano, organ and strings).

A cantata for SATB chorus and full orchestra OR strings and piano, adapted by the composer from his opera Sir John in Love. Includes settings of words by Shakespeare (from 'Much Ado About Nothing') an...

for mixed chorus and orchestra, to a poem by Ursula Vaughan WilliamsMaterial is available on hire. 2.2(2+Ca).2.2.Cbn - 4.3.3.1 - Timp.Perc.Cel.Hp - Str Or 2.2.3.2 - 2.3.3.1-3 Sax (Opt).Timp.Cel.Perc.P...

for SATB and orchestra. Orchestral material is available on hire. 2.Picc.2.Ca.2.Bcl.2.Cbn - 4.3.3.1 - Timp.Perc - Str

for soprano solo, speaker, mixed chorus, and full orchestra (or 3 trumpets, timpani, percussion, harp or piano, organ and strings). Material for both versions is available on hire. 2.2.2.Bcl(Opt).2.Cb...

In 1908 Vaughan Williams composed the Nocturnes for baritone and orchestra – each a setting of his favourite poet Walt Whitman – though these works were believed to be unfinished. The manu...

Ralph Vaughan Williams (1872-1958), der der Poesie stets zugetan war, fand in einem Gedicht von George Meredith aus dem Jahr 1881 den kreativen Anstoß für seine wunderschöne Romanze The Lark Ascending...

Ralph Vaughan Williams' Heroic Elegy and Triumphal Epilogue was composed in 1901. The Elegy dates from January and the Epilogue towards the end of the year, in early November. After some revision by t...

Orchestration 2 Flutes, Oboe, 2 Clarinets in Bb, Bassoon 2 Horns in F, 2 Trumpets in Bb, Trombone, Timpani, Percussion (Bass drum, Side drum, Cymbals) Strings (Violin 1, Violin 2, Viola or Violin 3, C...