Fortunes

Tomás Bretón (1850-1923) was a Spanish conductor and composer. He completed his musical studies at the 'School of Fine Arts' in his hometown, where he earned his living playing in small provincial orc...

Tomás Bretón (1850-1923) was a Spanish conductor and composer. He completed his musical studies at the 'School of Fine Arts' in his hometown, where he earned his living playing in small provincial orc...

Amadeu Vives (1871 -1932) was a Spanish composer. Vives was born in Collbató, near Montserrat. He studied in Barcelona but he soon moved to Madrid, where he lived the rest of his life, first publishin...

Amadeu Vives (1871 -1932) was a Spanish composer. Vives was born in Collbató, near Montserrat. He studied in Barcelona but he soon moved to Madrid, where he lived the rest of his life, first publishin...

Frantisek Kmoch schuf etwa 500 Märsche. Den Prager Frühling hat. P. Züll neu arrangiert.

Scored for flute, oboes, clarinets, bassoons, and horns, this is an extremely sensitive and beautiful edition of Gounod's work originally scored for double woodwind quintet. Intended for one player pe...

The Thunderer is among the early set of marches Sousa sold outright to the Philadelphia publisher, Harry Coleman, for thirty-five dollars apiece. Its unusual second strain, music taken from Sousa's "T...

Der Einfluss, den Frederick Fennell auf die Bandwelt hatte, ist unermesslich. Sein Vermächtnis wird mit seiner Ausgabe dieses Holst-Klassikers fortgesetzt, der ein so wichtiger Teil des Bandrepertoire...

Der Einfluss, den Frederick Fennell auf die Bandwelt hatte, ist unermesslich. Sein Vermächtnis wird mit seiner Ausgabe dieses Holst-Klassikers fortgesetzt, der ein so wichtiger Teil des Bandrepertoire...

In der Besetzung für Flöte, Oboen, Klarinetten, Fagotte, Hörner und Kontrabass (alternative Stimmen für Kontrafagott oder Kontrabassklarinette) ist dies eine äußerst gefühlvolle und schöne Ausgabe von...

Diese Transkription für Band von Randy Earles (herausgegeben vom großen Frederick Fennell) von Strawinskys Version der Feuervogel-Suite aus dem Jahr 1919 verdankt ihre Existenz dem unvergleichlichen S...

Als Begleitausgabe zu Fennells wegweisender Ausgabe der Lincolnshire Posy ist dieses Werk ein Muss für jede ernstzunehmende Bandbibliothek. Die Partitur und die Stimmen basieren auf den Originalquelle...

Der Einfluss, den Frederick Fennell auf die Bandwelt hatte, ist unermesslich. Sein Vermächtnis wird mit seiner Ausgabe dieses Holst-Klassikers fortgesetzt, der ein so wichtiger Teil des Bandrepertoire...

Brass quintet no.1 is subtitled 'The Addict'. It represents 3 aspects of an addicts life: I Personality, II Getting high. III Withdrawal.  1st. movement: inner conflict. The motive (tpt 1, m. 2) is al...

Consisting of two contrasting themes by the great Baroque master, the lead player carries the primary melodic lines -- to assist students who may be unfamiliar with ornamentation performance, a key sh...

Originally written for piano in 1890, these pieces provide the flute choir with an excellent opportunity to develop good intonation, ensemble balance, and listening skills. Instrumentation: 5 C Flutes...

These pieces were originally scored for piano in 1888. As these melodies have become familiar in recent years, they should be enjoyable for ensembles of all ages. Instrumentation: 5 C Flutes, Alto Flu...

An original work for 4 C Flutes. Ambage, meaning 'circuitous proceedings,' emphasizes the lyrical and expressive qualities of the flute as well as having a freeform section in the 2nd movement, based...

Webster defines an epigram as 'a bright or witty thought ingeniously expressed.' This is just such a piece, composed for 4 C Flutes.

Written for 4 C Flutes, this quartet allows the performers a wide range of dynamic contrast and expression.

Transcription: Juan-Jose Mosalini