Frank Bridge

Due North is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the...

One in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the tone paintin...

Due East is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman's choral settings are broad in scope and tone; the...

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...

Stephen Chatman's setting of Sara Teasdale's whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The sof...

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale ™s poem, After Love, -There is no magic any more, establishes the theme of vanishing love. Stephen Chatman ™s setting of the poignant text, in the dark key of D flat...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...

The opening lines, 'Listen, I love you. Do not turn your face / Nor touch me. ', reflect the somber feelings encompassing Sara Teasdale's poem. Paired voices initially express contrapuntal melodic lin...

Stephen Chatman's setting of Sara Teasdale's whimsical poem pertaining to a brown-thrush, April, love and kisses, emulates the meaning, strict rhythm, rhyme and strophic structure of the text. The sof...

Sara Teasdale's poem, Oh day of fire and sun, suggests a loud, fast musical setting. The syncopated homo-phonic choral texture, with high tessituras, exudes drama and excitement: it balances the expan...

Sara Teasdale's poem, The Mystery, depicts deep lasting love - 'Your eyes drink of me' and 'We have long been lovers'. It also raises a question - 'Can I ever know you / Or you know me?' Stephen Chatm...

The opening line of Sara Teasdale's poem, After Love, 'There is no magic any more, ' establishes the theme of vanishing love. Stephen Chatman's setting of the poignant text, in the key of E flat major...

This piece is a fast, joyous outburst. The initial lines, 'I am wild, I will sing to the trees' set the jubilant tone. The perpetual motion of the syllabic step-wise vocal lines is punctuated by stacc...

Prayer To The Infant Jesus was written in 1968, setting a translation of a Czech text. It is dedicated to Sheila Mossman and the Orpington Junior Singers, and is scored for unaccompanied SSAA Upper Vo...

Written for girls or boys voices.

Put Thou Thy Trust In The Lord by Arthur Bliss for double mixed chorus.

This is a beautiful setting of the simple Prayer Of Saint Francis Of Assisi. Scored for unaccompanied SSAA.

Stand Up And Bless The Lord by Arthur Bliss for SATB choir with Organ accompaniment.

Lord, Who Shall Abide In Thy Tabernacle? by Arthur Bliss for for SATB choir with Organ accompaniment.

Arranged for SATB chorus and 2 Soprano soloists taken from the choir.

The Hymn Tune Kensington was written by Herbert Howells in 1969. It is in an 87 87 87 metre, and was originally intended to be sung with the words To The Name Of Our Salvation, written by JohnMason Ne...