Frank Foster

Medium up-tempo D-flat major blues (half note = 108) scored for Count Basie (and partially dictated by the Count himself) around 1060, somewhat imitating the Basie Band style of the 1940's, with brass...

Arranged by Frank Foster and recorded by Diane Schuur with the Count Basie Orchestra in 1987, Deedles' Blues features an infectious melody with some appropriately sultry lyrics by Los Angeles-based vo...

Medium blues. Solos for piano, trumpet w/harmony & Trombone. As recorded by Count Basie Orchestra.

This is a kind of knock-down-drag-out blues in A-flat major that features solos by piano and trombone. In a medium fast swing tempo (quarter note =160), the chart is somewhat typical of the so-called...

Discommotion is a medium up-tempo (quarter note=176) blues in B-flat that really shouts for 4 minutes and 55 seconds. Reminiscent of big band jazz from the 1960's, it might be called a sort of 'Off-Ba...

Originally written to feature legendary veteran bassist Earl May, longtime member of Frank Foster's Loud Manority big band rhythm section, this chart is perfect for the big band bassist who rarely tak...

One of Frank Foster's more ambitious charts in the context of the so-called 'Basie Tradition,' Major Butts is really just another medium up-tempo 12 bar blues, but with the added twist of an 'I Got Rh...

Tomorrow's Blues Today is a somewhat different kind of 'blues.' While it employs the normal 12-bar chorus format, it uses minor seventh chords insted of major or dominant chords in the first eight mea...

2nd trombone is featured throughout this arrangement, opening with the melody written out for solo trombone playing funky using the plunger (ala the late Al Grey), then unison trumpets take over doing...

A medium-up-tempo B-flat blues featuring 1st tenor sax throughout (originally written to feature tenor sax star Bill Saxton). The brief ensemble introduction is followed by unison saxes in the opening...

If your're at all into what might be called 'Funk Jazz', this chart should fill the bill for you. The rhythm section establishes the groove from the very beginning, with the piano doing the principal...

Dedicated to the memory of Tito Puente. Yo Recuerdo A Mi Hermano Tito is a Latin-flavored composition somewhere between a cha-cha and a mambo. It could be called either a fast cha-cha or a slow mambo....

Real Book - Melodielinie & Akkorde.

Real Book - Melodielinie & Akkorde.

Real Book - Melodielinie & Akkorde.

Real Book - Melodielinie & Akkorde - Instrumente in C.

Real Book - Melodielinie & Akkorde - Instrumente in C.