G. Chr. Schemelli
Giuseppe Torelli (1658-1709) is today best known for his concertos for strings, in which genre he was a pioneer, and for his music with solo trumpet. In his own day, however, he was equally productive...
Giuseppe Torelli (1658-1709) is today best known for his concertos for strings, in which genre he was a pioneer, and for his music with solo trumpet. In his own day, however, he was equally productive...
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Giuseppe Torelli (1658-1709) was the leading composer of instrumental music in a flourishing school of composers active in Bologna in the second half of the seventeenth century and the opening decades...
Giuseppe Torelli (1658-1709) was the leading composer of instrumental music in a flourishing school of composers active in Bologna in the second half of the seventeenth century and the opening decades...
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Giuseppe Torelli (1658-1709) was the leading composer of instrumental music in a flourishing school of composers active in Bologna in the second half of the seventeenth century and the opening decades...
Giuseppe Torelli (1658-1709) was the leading composer of instrumental music in a flourishing school of composers active in Bologna in the second half of the seventeenth century and the opening decades...
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The six trio sonatas published alongside eight violin sonatas in his Op. 4 are works in four or five movements that felicitously mix the ‘church' and ‘chamber' styles in various configurations. This i...
The six trio sonatas published alongside eight violin sonatas in his Op. 4 are works in four or five movements that felicitously mix the ‘church' and ‘chamber' styles in various configurations. This i...
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- Streichquartett
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In Sonata 3 in F major the opening Largo is styled as a 'Siciliana', an especially common type of movement in the flute repertory on account of the instrument's pastoral associations. The following Sp...
In Sonata 3 in F major the opening Largo is styled as a 'Siciliana', an especially common type of movement in the flute repertory on account of the instrument's pastoral associations. The following Sp...
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In Sonata 7, in D major, Balicourt opens with a suave, intricately rhythmic Adagio. The following Presto, with its delightful interplay between flute and bass, including both octave doubling and stret...
In Sonata 7, in D major, Balicourt opens with a suave, intricately rhythmic Adagio. The following Presto, with its delightful interplay between flute and bass, including both octave doubling and stret...
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- Trompete und Klavier
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Typically for Bitti's earlier sonatas, the Sonata in B flat major that heads the London group features four movements in the standard configuration for chamber sonatas of the time: a prelude-like slow...
Typically for Bitti's earlier sonatas, the Sonata in B flat major that heads the London group features four movements in the standard configuration for chamber sonatas of the time: a prelude-like slow...
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Typically for Bitti's earlier sonatas, the Sonata in C minor belonging to the London group features four movements in the standard configuration for chamber sonatas of the time: a prelude-like slow op...
Typically for Bitti's earlier sonatas, the Sonata in C minor belonging to the London group features four movements in the standard configuration for chamber sonatas of the time: a prelude-like slow op...
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Unusually for Bitti's earlier sonatas, the Sonata in G minor belonging to the London group features only three movements: a prelude-like slow opening movement full of melodic eloquence, followed by a...
Unusually for Bitti's earlier sonatas, the Sonata in G minor belonging to the London group features only three movements: a prelude-like slow opening movement full of melodic eloquence, followed by a...
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