G. Steidl

This intriguing suite by Paul Jennings is a perfect way to introduce contemporary musical content and relevant programmatic material to young bands. Each of the three short movements explores a differ...

As it explores various moods and sounds of the world's endangered rain forests, this programmatic work gives each section of the band the opportunity to perform harmonies and textures usually found in...

In this unique programmatic composition, Paul Jennings has captured some of the drama and mystery surrounding the legendary Ghost Dance cult of the Sioux in the late 19th century. A marvelous multicul...

Formerly published as Kitty Hawk, this energetic contemporary concert march was commissioned by the American Bandmasters Association. For mature groups this represents an important addition to the mar...

By the time the Mozart family tree had blossomed into the twentieth century, there was very little genius left in the bloodline. Unfortunately, though, at least one unscrupulous descendant, Wolfbane A...

This outstanding production number by Paul Jennings includes: I Love Lucy; Mr. Ed; Bewitched; Dick Van Dyke; My Three Sons; Leave It To Beaver; The Munsters; Woody Woodpecker; Green Acres; Hogan's Her...

Beautiful is what you will say when you hear this gorgeous a cappella setting of the pop hit by Billy Preston, originally recorded by Joe Cocker. Expressive melodic contours and carefully crafted harm...

A patriotic favorite with a taste of Yankee Doodle. A solid chart for younger groups. Grade 2

Akkorde/Liedtexte für Klavier

For Contrabass Solo. Solo part. Composed 1999. 4 pages. Duration 6:30.

Grade 3. (Jennings)

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