Noten von Georg Friedrich Händel

Tauchen Sie ein in die zauberhafte Klangwelt des Barock mit der meisterhaften „Aria di Medoro: Se'l cor mai ti dirà“ aus der gefeierten Oper *Orlando*. Diese ausdrucksstarke Arie besticht durch ihre a...

Contents: To Alceste - Son confusa pastorella - Dimmi, crudele - Lascia ch'io - Let Me Wander, not Unseen - Notte cara - Non ti fidar - Io ti levo l'impero dell'armi - Svegliatevi nel core- Care selve...

From Handels oratorio, Judas Maccabaeus, this chorus has been adapted for two part treble voices in an accessible introduction to the music of the Baroque.

From Handels oratorio, Judas Maccabaeus, this chorus has been adapted for two part treble voices in an accessible introduction to the music of the Baroque.

This valuable resource is a must for every choral director that prepares a chorus to sing Handel's Messiah! In three sections, Part I - Introduction to Preparing Messiah highlights Baroque performance...

This valuable resource is a must for every choral director that prepares a chorus to sing Handel's Messiah! In three sections, Part I - Introduction to Preparing Messiah highlights Baroque performance...

Available separately: SATB, ChoirTrax CD. Score and parts (hrpchd, tpt 1-3, timp, ob 1-2, vn 1-2, va, vc, db) available as a Printed Edition. Duration: ca. 2:10.

This brass accompaniment is designed to be played along with the traditional keyboard orchestral reduction. Arranged for 1st and 2nd Bb trumpet, 1st and 2nd trombone, and timpani. Available: Instrumen...

Featuring a new contemporary text, this setting of a work by Handel is part of the Stephen Roddy Classics Series.

This sweet, simple octavo from Handel's Rodelinda works well for a children's choir. It is a secular Baroque classic singing the praises of music. From our Jean Ashworth Bartle Choral series

The first performance of Messiah took place at the New Music Hall in Dublin on April 13, 1742. It was received with huge acclaim, the Dublin Journal proclaiming that 'Messiah was allowed by the greate...

Sopran, Mezzosopran, Alt (Chorstimme) 1, Alt (Chorstimme) 2, Tenor, Bass (Chorstimme), Klavier - Klavierauszug, Urtextausgabe V o k a l m u s i k - Bühnenwerke - Oper

Opera in tre atti - Sopran solo (2), Mezzosopran solo, Alt solo, Tenor solo, Bass solo, Chor, Orchester - Klavierauszug; Gesamtausgabe; Urtextausgabe V o k a l m u s i k - Bühnenwerke - Oper

The hip contemporary approach to the Messiah created by Quincy Jones in the early '90s remains popular today. Teena Chinn captures all the original drive and excitement in this new choral setting. Uti...

Handel's Hallelujah chorus arranged as a two-part song for SA and piano by Henry Geehl.

Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah, edited by Henry Geehl, for 2-part upper voices.